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Closed Caption; Extended ending with optional commentary by co-writer/director Timur Bekmambetov; Subtitled commentary (in English, French or Spanish) by renowned novelist Sergei Lukyanenko; A sneak peek at the upcoming Night Watch sequels
Full Product DetailsDisc #1, Side A -- Night Watch (English Version)
1. The Others [3:59]
2. Black Magic [2:48]
3. Calling Yegor [4:05]
4. The Butcher [2:47]
5. On the Subway [2:07]
6. Captured [3:37]
7. Power of Light [:52]
8. Healing Anton [3:53]
9. Cursed Virgin [2:59]
10. Bloodthirst [1:02]
11. Olga [4:53]
12. Olga Transforms [:44]
13. In the Cyclone [4:14]
14. Not Afraid [1:52]
15. Irina's Child [:32]
16. Bad News [3:06]
17. Lured [3:39]
18. Forgive Me [3:24]
19. Rooftop Battle [3:21]
20. The Great Other [4:26]
Disc #1, Side B -- Night Watch (Russian Version)
1. The Others [3:59]
2. Black Magic [2:48]
3. Calling Yegor [4:05]
4. The Butcher [2:47]
5. On the Subway [2:07]
6. Captured [3:37]
7. Power of Light [:52]
8. Healing Anton [3:53]
9. Cursed Virgin [2:59]
10. Bloodthirst [1:02]
11. Olga [4:53]
12. Olga Transforms [:44]
13. In the Cyclone [4:14]
14. Not Afraid [1:52]
15. Irina's Child [:32]
16. Bad News [3:06]
17. Lured [3:39]
18. Forgive Me [3:24]
19. Rooftop Battle [3:21]
20. The Great Other [4:26]
This stylish, Russian-made horror-fantasy -- the first in an expected trilogy -- relies on a narrative device employed in the Underworld franchise. It posits an ancient, apocalyptic battle between the forces of Good and Evil that ended in a draw, and resulted in an uneasy but long-lasting truce between Light and Darkness. The story proper begins in post-Cold War Moscow, where an "Other" is born, destined to shift the balance of power. The task of ensuring that the balance is maintained falls to a Warrior of Light, Anton (Konstantin Khabensky). Night Watch employs the relatively recent fright-film conceit that vampires can be either good or evil; the motivations and allegiances of some characters are as murky as the gritty urban settings. The action sequences, meanwhile, are startlingly violent and imaginatively staged -- one combatant removes his own spine and uses it as a club. The all-Russian cast doesn't include any familiar faces, but the performers are uniformly professional and, allowing for the plot's supernatural elements, quite convincing. Definitely leaning toward the avant-garde, Night Watch provides a somewhat different spin on the genre's vampires-versus-demons sub-genre and merits serious consideration by horror fans. Ed Hulse, Barnes & Noble
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