Pollock with Ed Harris: DVD Cover
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Pollock Director: Ed Harris Cast: Ed Harris, Marcia Gay Harden, Amy Madigan, Jennifer Connelly

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  • DVD Release Date: 07/24/2001
  • Original Release: 2000
  • Rating: Rated R
  • Sales Rank: 15,959

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  • Overview
  • Editorial Reviews
  • Scenes
  • Cast & Crew
  • Full Product Details

Scenes

Features

Digitally mastered audio & anamorphic video; Widescreen presentation; Audio: English 5.0 [Dolby Digital] and 2-channel [Dolby Surround]; Subtitles: English, French, Spanish; Ed Harris commentary; Making-of documentary; Theatrical trailers; Link to website; Charlie Rose interview with Ed Harris; Deleted scenes; Filmographies; Interactive menus; Production notes; Scene selections

Full Product Details

Scene Index

Side #1 --
0. Scene Selections
1. Start [3:44]
2. The Pollock brothers [1:37]
3. Lee Krasner [3:16]
4. Three weeks to the day [6:07]
5. Making the family scene [5:02]
6. Ruben & Howard [1:35]
7. Peggy Guggenheim [:57]
8. "I'm just painting." [3:29]
9. Peggy pays a visit [3:25]
10. One-man show [2:13]
11. Peggy's mural [6:14]
12. Art lover [4:56]
13. "I wanna get married." [3:35]
14. The Springs [5:13]
15. State of the union [4:18]
16. Nothing sacred? [4:44]
17. Raising the stakes [8:25]
18. LIFE article [6:41]
19. Betty Parsons Gallery [2:45]
20. The meaning of Modern Art [1:06]
21. Pollock family reunion [2:46]
22. Art on film [3:29]
23. First drink in two years [:25]
24. A good ten-year run [5:51]
25. Ruth Klingman [5:05]
26. Edith Metzger [5:20]
27. No condition to drive [3:51]
28. The Crash [2:33]

Scene Index

Editorial Reviews

Really big canvases and even bigger alcohol binges -- that's the career of American painter Jackson Pollock in a nutshell. This biographical film, directed by and starring actor Ed Harris (whose performance earned an Academy Award nod) places these facets of the abstract expressionist's life on extravagant display. Harris impresses in his debut behind the camera, chronicling Pollock's early days as a starving artist in New York's Greenwich Village, his dazzling ascent to the heights of art world stardom, his ongoing struggles with alcoholism and depression, and finally his death in a car accident in 1956. Harris studied actual footage of Pollack at work on his famous "drip" paintings, and the scenes in which the artist creates his legendary canvases are the movie's most visually compelling. At the center of the story is Pollock's stormy relationship with his strong-willed wife, the painter Lee Krasner, who, despite her own talent as an artist, devoted her energies to her husband's career rather than her own. Marcia Gay Harden's rock-solid performance as Krasner earned her the Best Supporting Actress Oscar, but ultimately Pollock is Harris's show. He bears a striking resemblance to the real Pollock, and his virile physical presence dominates the screen, conveying stiff suffering early in Pollock's career, wiry masculinity at the height of his success, and, finally, paunchy inebriation during the painter's last days. The result is a wrenching portrait of a tormented genius whose quest for greatness came at a heavy price. Gregory Baird, Barnes & Noble

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common sense media

This item Rated Appropriate for Ages 16 and Up

Why We Rated This Appropriate for Ages 16 and UP

What to watch out for

  • Drugs:

    Severe

  • Language:

    Very strong language

  • Sex:

    Sexual references and situations, brief but explicit sexual encounter

  • Violence:

    Scary drunken car ride, fatal crash (offscreen)

  • Messages:

    Not an issue.

  • Consumerism:

    Not an issue.

What Parents Need to Know

About Pollock

Parents need to know that this movie contains a lot of mature material, including very strong language and sexual references and situations. A highly unsatisfactory sexual encounter between Pollock and Guggenheim is shown fairly explicitly. Characters drink, smoke, abuse drugs, and engage in self-destructive behavior. Pollock's drunk driving with the passengers screaming is shown, though not the crash that killed him. Family members treat each other badly, which may be upsetting for some viewers.

Families Can Talk About

Families can talk about why people become passionate about art and how art is affected by the surrounding commerce and culture. Why did Krasner give up her own art to take care of Pollock? Why were the views of Guggenheim and Greenberg so important? Why aren't Pollock's paintings just considered scribbles? Are there any painters today who are as important a part of the cultural landscape as Pollock was when he was featured in Life Magazine? Or are our new cultural icons working in different mediums?