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Commentary by director Frank Oz; "A Perfect World: The Making of the Stepford Wives"; "Stepford: A Definition"; "Stepford: The Architects"; "The Stepford Wives"; "The Stepford Husbands"; Stepford: deleted/extended scenes; Stepford: gag reel; Teaser trailer; Theatrical trailer
Full Product DetailsSide #1 --
1. A Perfect World
2. The Legendary Joanna Eberhart
3. Bad News
4. Welcome to Stepford
5. New Friends
6. Unusual Behavior
7. Mischievous Buddies
8. Men Behaving Badly
9. Snooping Around
10. New and Improved
11. Happy Homemaker
12. Joanna Confronts the Men
13. Mike's Victory
14. Breaking the Code
15. Claire's Story
16. A Not So Perfect World
Here's proof positive that you shouldn't believe everything you hear or read. The pre-release "buzz" on Stepford Wives was uniformly bad, convincing prospective viewers that Frank Oz's remake of the 1975 thriller based on Ira Levin's bestselling novel would be virtually unwatchable. That's not the case, however. Although we'd be hard pressed to call the new version a classic, it has many great moments and several terrific performances. Nicole Kidman portrays Joanna Eberhart, a hard-charging, stressed-out TV executive fired from her network after being targeted for assassination by a disgruntled reality-show contestant. She moves with her pleasant but ineffectual husband, Walter (Matthew Broderick), and their kids to the upscale suburban community of Stepford, where remarkably contented husbands lounge in a lavishly appointed clubhouse while their attractive, servile spouses attend to their every need. Kidman's character finds this a little strange, as does her new friend Bobbie Markowitz (Bette Midler), the village's only other refugee from Manhattan. When they begin to suspect something sinister in the overly efficient machinations of Stepford's "power couple," Mike and Claire Wellington (Christopher Walken and Glenn Close), they launch an investigation -- unbeknownst to their hubbies. At this point, anyone who has seen the original might think they know where the remake is headed -- but they would be wrong. Frank Oz's Stepford Wives takes liberties with both Levin's novel and the earlier film version, coming up with a hybrid that may be somewhat inconsistent but is far from the disaster this movie's detractors claimed it to be. Kidman is decidedly quirky as an unknowingly domineering wife, although her finely tuned performance is eclipsed by the more colorful portrayal of Midler, whose blowsy, tart-tongued scribe gets most of the laughs. Walken plays another of his mannered eccentrics, and Close scores big with her turn as a tightly wrapped matron. The film misses opportunities here and there, and some tampering is clearly evident (reportedly, several key scenes, including the climax, were reshot), but in general The Stepford Wives is a lot better than you may have heard. Ed Hulse, Barnes & Noble
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