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| DVD - Pan & Scan | $14.99 |
Closed Caption; Deleted scenes; Feature commentary with director, Richard Shepard; Commentary with Pierce Brosnan, Greg Kinnear & Richard Shepard; Making The Matador featurette; The Business & The Treatment: Feature Radio Programs Discuss The Matador; TV commercial; Theatrical trailer
Full Product DetailsDisc #1 -- The Matador
1. Meet Julian Noble [2:31]
2. Opening Titles [1:49]
3. Never Talk to Strangers [1:29]
4. Meet Danny and Bean [3:28]
5. Mexico City [3:17]
6. Happy Birthday [2:37]
7. This Smells Like a Party [2:01]
8. Two Guys Walk Into a Bar [6:40]
9. Julian's Apology [3:36]
10. A Facilitator of Fatalities [5:47]
11. Show and Tell [5:47]
12. A Huge Favor [6:14]
13. Julian Needs a Break [5:31]
14. Mr. Stick Is Upset [1:32]
15. Denver [3:02]
16. Surprise Guest [6:40]
17. A Problematic Meltdown [11:41]
18. You Owe Me [5:30]
19. Tuscon [4:36]
20. A Pep Talk [3:05]
21. The Humble Pie Julian [6:14]
22. End Credits [4:06]
If this compact black comedy didn’t create the commercial stir it should have, lay the blame on Pierce Brosnan’s courage. The character he plays in The Matador is a far stretch from James Bond, the suave superspy his fans identify him with. Here Brosnan is Julian Noble, a world-weary, cynical hit man who follows each job with prolonged bouts of drinking and womanizing. While on assignment in Mexico City, he meets Danny Wright (Greg Kinnear), a glum businessman who hopes his prolonged bad-luck streak will end with the acquisition of a large new account. Removing a competitor would ensure that Danny gets the business, but he just can’t bring himself to hire Julian. Writer-director Richard Shepard manages to exploit every iota of comedic potential in his odd-couple scenario, focusing on the unlikely attraction between the irrepressible, uncontrollable Julian and the drab, responsible Danny. Brosnan is a revelation as the assassin; he portrays Noble as seemingly unrestrained yet, at bottom, emotionally repressed by the grim requirements of his chosen profession. Brosnan’s detailed performance brings considerable empathy to an outwardly repellent character. Kinnear adds similar dimension to Danny, a sad sack who ultimately emerges as a man of substance. Shepard gambles that his viewers will follow the rather convoluted sequence of events he proffers, particularly during the film’s ambiguous middle section. But he has good reason to withhold key bits of information, and attentive viewers will be satisfied by the ingenuity with which he wraps up a genuinely intriguing work; one that seems to telegraph its intentions early on yet ultimately confounds audience expectations by shrewd plot manipulation. Ed Hulse, Barnes & Noble
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