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205-minute director's cut; Widescreen digital transfer; New English subtitles; Screen-specific audio essay by Harvard film professor Vlada Petric; Film interviews with Andrei Tarkovsky, with a video essay on the filmmaker's work by Professor Petric; A timeline featuring key events in Russian history, plus the lives and works of Andrei Rublev and Tarkovsky; English subtitles; Optimal image quality: RSDL dual-layer edition
Full Product DetailsSide #1 --
1. Opening Titles [2:29]
2. Prologue: Flying/Commentary Introduction [:55]
3. Commentary: Camera Movement and Choreography [4:49]
4. The Jester, Summer 1400 [6:16]
5. Punishment [7:06]
6. Theophanes the Greek, Summer-Winter-Spring-Summer 1405-1406 [12:21]
7. The Messenger [3:17]
8. Andrei's Farewell [2:53]
9. Kirill's Farewell [3:27]
10. Reluctant Teacher, Reluctant Pupil [5:21]
11. The Passion As Told by Andrei Rublev [2:07]
12. Commentary: Oneiric Events [5:53]
13. The Holiday, 1408 [1:29]
14. Commentary: The Sensual World [3:13]
15. Caught [4:38]
16. "Where Were You?" [3:03]
17. Persecution [3:04]
18. The Last Judgment, Summer 1408 [3:34]
19. "I Don't Want to Terrify People" [2:23]
20. ."..As a Child, I Spake As a Child" [3:36]
21. "We Have Another Job..." [:54]
22. Commentary: Interior Vs. Exterior, Part One [1:33]
23. The Way to Zvenigorod [5:21]
24. Desecration [3:53]
25. "She Is Not a Sinner" [1:48]
26. Commentary: Interior Vs. Exterior, Part Two [1:07]
27. The Raid, Autumn 1408 [:38]
28. Commentary: Interior Vs. Exterior, Part Three [4:03]
29. Brotherly Love [1:15]
30. The Sack of Vladimir [7:29]
31. Commentary: Interior Vs. Exterior, Part Four [2:48]
32. The Torture of Patrikey [2:18]
33. The Death of Foma [7:16]
34. Commentary: Points of View [:35]
35. Andrei's Penance [1:04]
36. The Charity, Winter 1412 [9:48]
37. Kirill Returns [2:46]
38. A Tatar's Wife [5:10]
39. Commentary: Performances [5:48]
40. The Bell, Spring-Summer-Winter-Spring 1423-1424 [4:21]
41. A Place to Cast [3:30]
42. Hunting For Clay [2:47]
43. Building the Mold [3:51]
44. The Firing [5:08]
45. The Jester Recognizes Andrei [2:20]
46. The Furnaces [2:24]
47. Removing the Casting [3:40]
48. Kirill's Confession [3:30]
49. The Hoisting/Commentary: Camera Movement and Mise En Scéne [3:29]
50. Consecration [5:35]
51. The Sounding [1:21]
52. Recognition/Commentary: Visual Abstraction [4:50]
53. Andrei Rublev, The Passion [2:33]
Directed in 1966 by Andrei Tarkovsky, the filmmaker whom Ingmar Bergman once dubbed "the most important director of our time," Andrei Rublev was deemed unfit for viewers in the USSR and drastically edited by state censors. This uncut version, though, was a prizewinner at Cannes in '69 and has been widely embraced as one of the finest Russian films ever made. The black-and-white epic's title character is a 15th-century Russian monk who is considered the country's greatest icon painter. Rublev leaves his remote monastery to paint a great cathedral, but in his travels he encounters a chaotic landscape of pagan rituals, medieval brutality, and destruction wrought by the Tartar conquest. In the grips of a spiritual crisis, he eschews painting and takes a vow of silence. How can one create sacred works when the world is so savage? Haunting, poetic, and deeply lyrical, Andrei Rublev is at its core a meditation on the creative process, an exploration of how, through faith, the artist reconciles human suffering with spiritual aspiration. Monica McIntyre, Barnes & Noble
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