Hannah and Her Sisters with Woody Allen: DVD Cover

    Hannah and Her Sisters Director: Woody Allen Cast: Woody Allen, Mia Farrow, Barbara Hershey, Dianne Wiest

    DVD - Wide Screen / Dolby 5.1 / Mono Learn more

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    • DVD Release Date: 11/06/2001
    • Original Release: 1986
    • Rating: Rated PG13
    • Sales Rank: 1,319
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    Viewer Rating: (3 ratings)

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    • Overview
    • Editorial Reviews
    • Scenes
    • Customer Reviews
    • Cast & Crew
    • Full Product Details

    Scenes

    Features

    Collectible booklet; Original theatrical trailer; English: mono; French: mono; Spanish: mono; English, French & Spanish language subtitles

    Full Product Details

    Scene Index

    Side #1 --
    0. Scene Selections
    1. Main Title/So Beautiful [8:56]
    2. Frederick & the World [2:29]
    3. 'The Hypochondriac' [7:03]
    4. Stanislavski Catering [5:27]
    5. Page 112 [5:00]
    6. "We Need Some Sperm" [7:46]
    7. ."..In Love With You" [10:57]
    8. 'The Abyss' [11:52]
    9. Stupid Life Theories [5:13]
    10. 'Afternoons' [3:07]
    11. 'The Audition' [4:47]
    12. 'The Big Leap' [7:11]
    13. 'Summer in New York' [2:10]
    14. 'Autumn Chill' [8:24]
    15. 'Lucky I Ran Into You' [9:08]
    16. 'One Year Later'/Credits [7:13]

    Scene Index

    Editorial Reviews

    A Woody Allen Manhattan mosaic, Hannah and Her Sisters concerns the lives, loves, and infidelities among a tightly-knit artistic clan. Hannah (Mia Farrow) regularly meets with her sisters Holly (Dianne Wiest) and Lee (Barbara Hershey) to discuss the week's events. It's what they don't always tell each other that forms the film's various subplots. Hannah is married to accountant and financial planner Elliot (Michael Caine), who carries a torch for Lee, who in turn lives with pompous Soho artist Frederick (Max Von Sydow). Meanwhile, Holly, a neurotic actress and eternal loser in love, dates TV producer Mickey (Allen), who used to be married to Hannah and spends most of the film convinced that he's about to die. Appearing in supporting parts are Lloyd Nolan and Maureen O'Sullivan (Farrow's real mom), as the eternally bickering husband-and-wife acting team who are the parents of Hannah and her sisters. The film begins and ends during the family's traditional Thanksgiving dinner, filmed in Farrow's actual New York apartment. Unbilled cameos are contributed by Sam Waterston as one of Wiest's brief amours and Tony Roberts as one of Allen's friends. Hannah and Her Sisters collected Oscars for Michael Caine, Dianne Wiest, and Woody Allen's screenplay. Hal Erickson, All Movie Guide

    Customer Reviews

    • Viewer Rating:
    • Ratings: 3Reviews: 2

    Hannah and Her Sistersby Anonymous

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    January 21, 2006: This movie has everything to entertain: romance,conflict,great music, fabulous one-liners, beautifully photographed Manhatten, neurosis - XXX, and a twist at the end. It is a lovely glass of wine.

    Hannah and Her Sistersby Anonymous

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    December 13, 2005: Arguably one of Woody Allen's two or three finest films to date, "Hannah and Her Sisters" shifts his own figure further away from the center of the story than he has ever been before, treating him as one of nine prominent characters in the action. Allen's screenplay weaves in ingenious tapestry around three sisters, their parents, assorted mates, lovers, and friends (including Allen as Hanna's ex-husband Mickey Sachs). A Chekhovian exploration of upper-middle-class world of a group of New Yorkers a decade after "Annie Hall", "Hannah" is deliberately episodic in structure, its sequences separated by Brechtian title cards that suggest thematic elements of each succeeding segment. Yet it is an extraordinary seamless film, unified by the family at its center three Thanksgiving dinner scenes at key intervals, an exquisite color celebration of an idyllic New York City and music by Cole Porter, Rodgers and Hart, and Puccini (among others) that italicizes the genuinely romantic nature of the film's tone. The most optimistic of Allen's major films, "Hannah" restores its inhabitants to a world of pure comedy, their futures epitomized by the fate of Mickey Sachs. For once, the Allen figure is a man who will live happily ever after, a man formerly sterile, now apparently fertile, as is comedy's magical way. [filmfactsman]