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Directly after his successful screen teaming with Marlene Dietrich in Morocco, Gary Cooper returned to Paramount's "Zane Grey" western series with Fighting Caravans. Cooper is cast as Clint Belmet, a hell-raisin' frontiersman facing a misdemeanor jail term. To avoid arrest, Clint talks French-born Felice (Lily Damita) into posing as his wife. Having successfully eluded the Law, Clint joins a wagon train heading to California, with Felice in tow. He callously tells her that he expects to exercise his "husbandly" prerogative in bed, but changes his tune when he genuinely falls in love with the girl. Eventually, Clint assumes some responsibility for the first time in his life by becoming the wagon train's sole trail guide, rescuing the other passengers from the villainous machinations of gun-runner Lee Murdock (Fred Kohler). Several stock shots and outtakes from Fighting Caravans (retitled Blazing Arrows for television) later showed up in another Zane Grey series entry, Wagon Wheels (1934). Hal Erickson
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Adapted from a Zane Grey story, Wagon Wheels is a remake of the 1931 Gary Cooper starrer Fighting Caravans. Randolph Scott assumes Cooper's role, playing a trail guide named Clint Belmet. The plot follows the progress of a typical wagon train journey from Missouri to Oregon, with the usual quote of Indian attacks and outlaw treachery. Murdock (Monte Blue), the main villain, foments trouble between the whites and Indians on behalf of a carter of foreign fur traders, adding a bit of international intrigue to the proceeding. Gail Patrick, still in her "ingenue" period, portrays the heroine along more intelligent and self-reliant lines than usual. Generous amounts of stock footage from Fighting Caravans were liberally sprinkled throughout the 57-minute time span of Wagon Wheels. Hal Erickson
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Filling in for RKO's Western ace Tim Holt, who was fighting the war in Europe, a young Robert Mitchum starred in this fine version of Zane Grey's 1937 story of a wild and woolly West. Ordered by his doctor to get some exercise, Chicago meatpacking king Col. Lamberth (Thurston Hall) reluctantly travels west to his Texas hacienda accompanied by his headstrong daughter Rill (Barbara Hale) and her Parisian maid Suzanne (Rita Corday). En route, they witness the killing of a stagecoach driver (Bill Williams), a crime blamed on Pecos Smith (Robert Mitchum), but actually committed by a gang headed by Brad Sawtelle (Harry Woods). Rill, who decides to masquerade as a boy after being accosted by a couple of ruffians, convinces her father to hire Pecos and his Irish-Mexican sidekick Chito Rafferty (Richard Martin). Naturally, Pecos discovers Rill's true gender after a few dicey moments and they fall in love. But the threat from Sawtelle and his gang is ever present and soon the Lamberth hacienda is engaged in an all-out war. Hans J. Wollstein
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Jim Lacy (Robert Mitchum), Chito Rafferty (Richard Martin), and Dusty (Guinn "Big Boy" Williams) are three cowpokes working what was then known -- in the 1850's -- as the western Utah Territory. They know cattle, not mining, and they can't help but feel like they're missing out on something amid the influx of prospectors trying to work the Comstock Lode. But then they see most of these claims come to nothing, as the surface gold always seems to run out and leave owners with nothing but useless blue waste -- and the three are prone to count their blessings. But the machinations of a crooked mining company head Cash Burridge (Craig Reynolds) and a shoot-out at a crooked casino leave the trio on the run, and Lacy -- taking the alias "Nevada" -- headed into mining country with both the law and outlaws on his trail. And that's how he crosses paths with the Ides, a prospecting family, and their pretty daughter Hattie ({Nancy Gates), and also with saloon singer Julie Dexter (Anne Jeffreys), who's close to Burridge but starts to like Nevada's honesty and sincerity. Burridge knows the truth about that "useless" blue slag -- it's some of the richest silver ore ever assayed in the United States -- and plans to swindle his neighbors to get control of the Comstock Lode; and Julie cares enough about Burridge that she's ready to go along, up to the point where it involves murder, especially when Burridge's cover-up of his crime may end up with Nevada at the end of a rope. Bruce Eder
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