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Widescreen version enhanced for 16x9 TVs; Dolby Digital: English 5.1 Surround; English Dolby Surround; English subtitles; Interactive menus; Scene selection; Theatrical trailer; Exclusive cast and crew interviews; Commentary by director Kenneth Lonergan
Full Product DetailsSide #1 --
0. Scene Selection
1. A Tragic Accident [2:04]
2. Reliable Mother [2:35]
3. The Letter [3:59]
4. Going Home [3:01]
5. Irresponsible Brother [2:35]
6. "You Showed Up" [4:16]
7. Anxious and Bored [1:36]
8. Home Repairs [5:38]
9. Night Out [2:09]
10. Office Visitors [4:48]
11. Confession [1:02]
12. The Other Woman [6:01]
13. Seeking Guidance [:07]
14. Hanging Up [4:46]
15. Unfinished Business [2:05]
16. An Old Friend [4:04]
17. Moving On [4:28]
18. Saying Good-Bye [6:15]
19. Gone Again [:40]
In an era when family dramas often feel canned or recycled, You Can Count on Me is a breath of fresh air. Set in a small town in upstate New York, playwright Kenneth Lonergan's film debut is a lithe, generous take on various traumas of the familial, romantic, sexual, and communicative sort. Beginning with a short prologue showing a husband and wife crashing into an oncoming semi, the movie shuttles forward immediately into the present-day lives of Sammy and Terry, the two children orphaned by the collision. Big sister Sammy (Laura Linney), now a single mother, still lives in the family home that she and Terry (Mark Ruffalo) inherited, working in a bank, going to church regularly and raising her son, Rudy (Rory Culkin), as well as she can. Terry, now a twentysomething drifter, blows back into town, initially to borrow money, but then decides to stay for a while to hang out with his nephew and help fix up the house. All the actors turn in superb performances, particularly Linney, who received an Oscar nomination for her moving portrayal of the conflicted, immensely likable Sammy. The characters are well served by Lonergan's script, which sympathetically excavates rationalizations without making judgments on their shortcomings. By zeroing in on their small, but intense interactions -- Sammy's clashes with her stiff boss (Matthew Broderick in corporate-zombie mode), Sammy's ongoing harangue of Terry to find a purpose in life, Rudy's negativity and blind faith in his missing father -- Lonergan proves himself a smart, plaintive writer and a director of tremendous depth. Quiet and unassuming, You Can Count on Me has an emotional power that resonates long after the movie is over. Eddy Crouse, Barnes & Noble
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