DVD - Wide Screen Learn more
| More Formats | |
|---|---|
| DVD - Wide Screen | $14.99 |
Closed Caption; Deleted scenes; The making of "Where the Truth Lies"
Full Product DetailsDisc #1 -- Where the Truth Lies
1. All An Act [3:16]
2. Career Girls [5:37]
3. Vince & Lanny [3:45]
4. Boy/Girl Act [3:54]
5. Flying the Friendly Skies [3:57]
6. 4d [3:19]
7. Like Gods [5:40]
8. Sally's Office [5:26]
9. Dream Date [6:53]
10. Miracle Girl's Night [3:50]
11. Maureen's Story [4:46]
12. Vince on the Record [5:18]
13. Wonderland [4:36]
14. Caught in a Trap [3:59]
15. Interview With Intensions [4:48]
16. Tables Have Turned [5:22]
17. Champagne Bath [3:12]
18. Maureen's Project [3:30]
19. The Alibi [5:46]
20. The Marriage Is Over [3:35]
21. Trusted Advisor [4:55]
22. Raising the Stakes [2:35]
23. The Truth Hurts [2:13]
24. Very Special Girl [5:06]
The most accessible film to date directed by indie favorite Atom Egoyan (The Sweet Hereafter), Where the Truth Lies bears certain thematic and stylistic resemblances to Citizen Kane, although drawing any real comparison between the two would be presumptuous to say the least. It begins in the 1970s, when young celebrity journalist Karen O'Connor (Alison Lohmann) accepts a million-dollar contract to write about the once-wildly popular team of Lanny Morris (Kevin Bacon) and Vince Collins (Colin Firth). Fifteen years before, while at the height of their popularity, the two volatile performers split up after a naked woman was found dead in the bathtub of their luxurious hotel suite. Although cleared of any wrongdoing in what was declared an accidental death, Lanny and Vince never got back together -- and O'Connor is determined to find out why. The source novel by Rupert Holmes (yes, the "Piña Colada Song" guy) was clearly based on Dean Martin and Jerry Lewis, but the casting of Britisher Colin Firth as a handsome but periodically violent crooner pretty much alters Holmes's vision, as does Kevin Bacon's unsympathetic depiction of funnyman Lanny as a compulsive womanizer. Egoyan adopts the Kane model of jumping back and forth in time as various aspects of the story present themselves, expanding on the journalist's role and making her an active participant in the Morris-Collins psychodrama. Casting Bacon and Firth against type works well for the director, and Lohmann's contribution is significant as well. This is an off-trail but compelling drama, one that barely saw theatrical release but will undoubtedly find a receptive audience on DVD. Ed Hulse, Barnes & Noble
More reviews and recommendations