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Take a look in the dark as Alan Arkin and producer Mel Ferrer reminisce about the making of the film; Stage frantics essay covers the property's stage-to-screen evolution; Interactive menus; Cautionary teaser and standard theatrical trailers; Scene access; Languages: English & Français; Subtitles: English, Français & Español
Full Product DetailsSide #1 --
1. Doll's Journey (Credits) [5:36]
2. Wrong Apartment [4:05]
3. Harry Roat Jr. [5:08]
4. Key Confrontation [3:38]
5. Body Bag [3:16]
6. Who's There? [4:40]
7. News of A Murder [3:30]
8. World's Champion [3:51]
9. Sam's Marine Buddy [4:44]
10. Cranky and Impatient [4:55]
11. Roat Sr. [2:28]
12. Sgt. Carlino [3:13]
13. Roat Jr. [5:14]
14. Figuring it All Out [3:18]
15. Getting Wise [6:00]
16. Gloria as Susy's Eyes [3:45]
17. Outwitting Carlino [5:09]
18. Truth About Mike [5:15]
19. Gloria's Report [3:29]
20. Lights Out [4:02]
21. "How Long Have You Known?" [3:43]
22. Two Dead Crooks [1:57]
23. Fear of Fire [4:31]
24. Taps in the Dark [2:30]
25. Striking Back [3:30]
26. The Moment [1:59]
27. Doing Fine [2:18]
28. Cast List [1:39]
Few films have been imitated more often than this 1967 thriller, a dazzling tour de force for Oscar-nominated Audrey Hepburn and very likely the best film directed by Terence Young outside the James Bond series. Based on a hit Broadway play by Frederick Knott (who also wrote Dial M for Murder), Wait Until Dark stars Hepburn as Suzy Hendrix, a blind woman trapped in her New York apartment by a psychotic criminal (Alan Arkin) and his accomplices (Richard Crenna and Jack Weston). They believe Hepburn is concealing a doll stuffed with high-grade heroin, which they mean to get by any means necessary. A claustrophobic cat-and-mouse game ensues, with the terrorized Hepburn trying to stay one jump ahead of the crooks until her absent husband (Efrem Zimbalist Jr.) returns. She is absolutely terrific in this part, exhibiting fear and vulnerability for much of the film but projecting strength and determination when demonstrations of those qualities serve the plot. In her hands the helpless blind woman isn’t simply a stock melodrama type; she’s a fully developed character that engenders audience sympathy from the get-go. Arkin’s role is actually the flashier one, but his performance also is finely tuned for maximum effectiveness. Young’s directing is expert in every way: The pacing is extremely precise, accelerating at exactly the right moments; the lighting and camera placements perfectly establish mood and capture the limited physical action; and his direction of the actors plays to their individual strengths without sacrificing credibility. A succession of knockoffs, each more lackluster than the last, have eroded Wait Until Dark’s novelty value, but the film’s quality and effectiveness is still readily apparent. Ed Hulse, Barnes & Noble
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