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Closed Caption; Obsessed With Vertigo, New Life for Hitchcock's Masterpiece; Feature commentary with associate producer Herbert Coleman, restoration team Robert A. Harris and James C. Katz; Production notes; Talent bios; Film highlights; Theatrical trailer
Full Product DetailsSide #1 --
1. Main Titles [3:21]
2. The Fallen Cop [1:37]
3. Johnny-O and Midge [6:19]
4. A Favor for a Friend [5:32]
5. Elster's Wife [5:20]
6. Among the Dead [3:28]
7. A Portrait of Carlotta [2:03]
8. The McKittrick Hotel [6:06]
9. Beautiful Carlotta, Sad Carlotta [4:26]
10. Carlotta's Blood [1:58]
11. To the Golden Gate [2:38]
12. Into the Bay [:59]
13. Scottie's Guest [9:11]
14. Two Wanderers [4:41]
15. The Sequoias [:34]
16. The Fragments of the Mirror [3:40]
17. The Desperate Urge [3:26]
18. Madeleine's Dream [3:03]
19. It's All Real... [3:54]
20. The Tower [3:29]
21. Things Left Undone [2:17]
22. Nightmares [5:31]
23. Melancholia [1:36]
24. Ghosts [3:36]
25. The Woman at the Empire Hotel [2:36]
26. The Living and the Dead [6:27]
27. Because I Remind You of Her... [4:16]
28. The Gentleman Knows What He Wants... [3:05]
29. There's Something in You... [3:46]
30. The Transformation [1:48]
31. The Necklace [1:02]
32. Back Into the Past [5:23]
33. My Second Chance [1:59]
34. There's No Bringing Her Back [2:36]
35. Restoration Credits [3:51]
1. A Masterpiece Almost Lost
2. Development and Restoration
3. Casting and Vistavision
4. Shooting Begins September, 1957
5. The Stars; Locations at San Juan Bautista
6. Costumes by Edith Head
7. Production Design
8. The "Vertigo Effect"
9. Music and Titles
10. "Vertigo" Fully Restored
11. End Title Credits
12. Original Theatrical Trailer
13. Restoration Theatrical Trailer
14. Hitchcock's Foreign Censorship Ending
15. The "Vertigo" Archives
Released in 1958, Alfred Hitchcock's Vertigo was the first of a four-movie run -- North By Northwest, Psycho, and The Birds followed -- that would embody the essence of the director's mastery of his craft and his inimitable knack for telling a scary story. Vertigo introduced Hollywood to an intangible but eminently destructive villain: obsession. James Stewart plays a retired police investigator hired by an old college pal to secretly follow his wife (Kim Novak), whom the friend says is behaving strangely. As Stewart trails Novak through the bayside parks of San Francisco, backed only by Bernard Herrmann's mesmerizing score, he becomes mysteriously, and romantically, fixated on her. A series of plot twists -- including an apparent suicide, an act of betrayal and the titular psychological disorder suffered by Stewart -- ultimately upends the action, and the film reaches a fevered crescendo. Based on the French novel D'entres les morts, Vertigo was originally met with a lukewarm reception by critics. In the years since, however, it has become one of Hitchcock's most analyzed -- and admired -- films. Bruce Kluger, Barnes & Noble
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