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| DVD - Wide Screen | $11.69 |
| DVD - Pan & Scan | $12.99 |
Closed Caption; Feature-length audio commentary with branching gags by Sandra Bullock, Hugh Grant and writer/director Marc Lawrence; Visit the stars, the moviemakers and New York City with HBO first look: The making of Two Weeks Notice; Two additional scenes; Theatrical trailer
Full Product DetailsDisc #1 -- Two Weeks Notice
1. Credits
2. Wrecking-ball Busters
3. Dinner For One
4. The Wade Brothers
5. New Chief Counsel
6. Nonlegal Advice
7. Giving To the Needy
8. Two Weeks Notice
9. Ironclad
10. Just Brainstorming
11. Meet the Parents
12. Chess and Women
13. No Hepburns
14. Twisty Bobcat Pretzel
15. The Interviewee
16. The Swing of Things
17. Gotta Go
18. A Life Home
19. George the Closer
20. Letdown At the Ball
21. Complimentary Breakfast
22. Strip Class
23. Stapler Standoff
24. No Stains Needed
25. People Change
26. Voice In My Head
27. Dinner For Two
28. End Credits
Hippie Harvard Law School graduate Lucy Kelson (Sandra Bullock) is dedicated to saving the world. What she needs is someone to rescue her from a life of workworkwork and Chinese takeout. George Wade (Hugh Grant) is the playboy poster boy for his family’s real estate company, a superficial billionaire who needs someone of substance to reveal his self-worth. They are clueless to their need for each other, and watching them ricochet around on their way to this discovery is what makes this romantic comedy so charming. They're first drawn together when the Wade firm targets Lucy’s beloved Coney Island community center for demolition, and George promises to preserve it -- if she'll work as his legal counsel. Their relationship has moments of When Harry Met Sally-like magic as belligerence becomes bonding, and it's no surprise when Lucy calls it quits. The "you don't know what you’ve got 'til it’s gone" ennui plays out during the fortnight that Lucy has to train her replacement (Alicia Witt), an attractive go-getter with her eye on George's briefs (legal and otherwise). Credit writer-director Marc Lawrence (who also wrote Bullock’s Miss Congeniality) for the film’s crackling dialogue. He deftly meshes slapstick moments with thoughtful perspectives on corporate greed and personal responsibility, and also manages to bring out the best in his stars, creating chemistry while tapping into their individual talents. Grant’s trademark self-deprecating manner is as endearing as when we met him in Four Weddings and a Funeral, while Bullock remains our brains-before-beauty girl next door. Good for us they found each other here. Peter Marchand, Barnes & Noble
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