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Closed Caption; Audio commentary by executive producer Jim Lemley and co-producer Anne Lai; Audio commentary by screenwriter Dean Georgaris; "Love Conquers All: Making of Tristan & Isolde" featurette; Image galleries (Behind the Scenes, Production Design and Costume Design); Music video: "We Belong Together" by Gavin DeGraw (2 versions); Theatrical trailer & TV spots
Full Product DetailsDisc #1 -- Tristan + Isolde [P&S]
1. Main Titles
2. Tribes Divided
3. The Queen's Funeral/Rebuilding
4. Nine Years Later
5. The Irish Invade
6. Rescuing Their Own
7. A King's Service
8. Tristan & Isolde
9. Falling in Love
10. Goodbye
11. Tristan's Return
12. The Tournament
13. One Last Fight
14. Wedding Day
15. Duty
16. Lord Marke's Second
17. The Affair
18. Suspicion
19. The Coronation
20. Treachery Exposed
21. Learning the Truth
22. Raid
23. The Death of One True Love
24. End Titles
Director Kevin Reynolds, whose career highlight remains the Kevin Costner-in-tights action vehicle Robin Hood, heads further back in English history for a straightforward take on the Arthurian folk legend of Tristan and Isolde, the star-crossed lovers perhaps best known today from composer Richard Wagner’s beloved opera. The story opens in the late sixth century, with Europe yet to emerge from the Dark Ages. The Romans have left what will become England and Ireland, leaving the land to perpetually squabbling tribal leaders and a strong Celtic monarch, Donnchadh (David O’Hara), who has designs on the entire region. To facilitate his plan, the King promises his daughter Isolde (Sophia Myles) to Lord Marke (Rufus Sewell), the most sensible and progressive of the tribal chieftains. Marke’s most loyal subject is his young ward, Tristan (James Franco), whose life the girl once saved and with whom she is still in love. Despite the knights-and-damsels conventions of the story, this is no Prince Valiant; rather than gaudily outfitted knights and spotlessly clean castles, Reynolds presents the harsh realities of medieval life and stages his action scenes with uncompromising brutality. This mutes the romance’s dreamier aspects, but the characters are well drawn and skillfully portrayed, and it’s especially satisfying to see frequent screen heavy Sewell impress in a sympathetic role for a change. Ed Hulse, Barnes & Noble
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