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| Blu-ray - Wide Screen / Bonus DVD / Subtitled / Dubbed | $19.99 |
Closed Caption; Deleted scene and alternate ending featurettes; "Counterfeit World: The Making of to Live and Die in L.A." documentary; Audio commentary by director William Friedkin; Photo gallery; Original theatrical trailers
Full Product DetailsSide #1 --
1. "I'm Ready to Die!"
2. Main Title/Credits
3. Burning Art/Retirement
4. Money Laundering
5. Wrong Place, Wrong Time
6. Too Late
7. The New Parter
8. Arresting a Mule
9. "Don't Forget About Me"
10. Seeking Council
11. Unmasking a Problem
12. Compromising Position
13. Crime Scene Evidence
14. A Brush With Intimacy
15. Chasing Down Leads
16. A Neighborhood Deal
17. No Rat & No Pigeon
18. "Suck on This!"
19. Springing a Creep
20. Working Out a Scam
21. Stripping Away Clues
22. Picking Up a Package
23. A Jamming Ride
24. "I'm Worried!"
25. Face-Off
26. Legal Council
27. It's Payback Time
28. "I Can't Live With This!"
29. A Stinger Gets Stung
30. Up in Flames
31. Taking Chance's Place
32. End Credits
This gritty, stylish thriller, made in 1985, did for Los Angeles what Miami Vice did for that outwardly glamorous and appealing metropolis: exposed its corrupt and repellent underside. At the time of its theatrical release, To Live and Die… set a new benchmark for urban-cop dramas; many critics were appalled by its graphic language, the brutality of its violent action scenes, and its underlying nihilism. But they generally liked William Petersen -- today the star of CSI, TV’s top drama, but then just establishing himself as an edgy leading man -- who portrays a dogged Secret Service agent obsessed with nailing the ruthless counterfeiter (Willem Dafoe, in his best role up to that time) responsible for killing his partner. Director William Friedkin rather self-consciously imposed upon the film a peculiar, hyper-realistic style that has proven highly influential. His characters often behave unbelievably, even foolishly, but their actions seem perfectly reasonable and acceptable within the context of the story. A well-staged, brilliantly edited car chase harkens back to Friedkin’s French Connection, and that’s just one of the action highlights in this fast-paced two hours. Although To Live and Die… remains firmly rooted in its ‘80s time frame (an air reinforced by the Wang Chung score), it offers a driving pace and visceral impact that audiences have come to expect from violent urban melodramas. Ed Hulse, Barnes & Noble
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