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An interview with Alan Bates; Theatrical trailer; "Anton Chekhov and Three Sisters," an essay by Michael Feingold, Chief Theatre Critic, The Village Voice; The AFT cinebill for Three Sisters; Stills gallery; The American Film Theatre scrapbook
Full Product DetailsSide #1 --
1. A Spring Afternoon [7:29]
2. An Extravagant Present [7:14]
3. Our Lives [7:08]
4. Superfluous Knowledge [10:32]
5. Irina's Birthday [5:45]
6. "How Deceptive Life Can Be" [8:35]
7. "I Love..." [8:19]
8. "Let's Philosophize" [8:33]
9. "Let's Make Peace" [8:00]
10. "Moscow, Moscow" [8:52]
11. A Cruel Natasha [7:24]
12. "Maybe I'm Not a Man at All" [9:46]
13. "You Are a Remarkable Woman" [7:59]
14. Confessions [7:48]
15. A Dream [4:50]
16. Happiness [4:11]
17. A Duel [8:08]
18. Wives [5:55]
19. "Everything Comes to an End" [10:12]
20. "Let Us Live" [7:45]
Russian playwright Anton Chekhov's three upper-class Prozorov sisters -- Masha, Olga, and Irina -- come no closer to their dream of returning to Moscow in director Laurence Olivier's 1970 film version of Three Sisters than they did in Chekhov's original 1900 play. This melancholy classic about shattered dreams, self-delusion, and compromise was directed by Olivier for Britain's National Theatre in 1967. The film, a literal record of Olivier's stage version, was produced in order to raise money for the ever-imperiled National. Olivier, who'd just recovered from a serious illness, plays the mischievous army doctor Chebutikin, while Olivier's wife, Joan Plowright, essays the major role of Masha, the snobbish general's daughter who tries to escape the stultifying banality of her provincial marriage by having an affair. Three Sisters was released in the U.S. in 1974 as part of the American Film Theatre series. Hal Erickson, All Movie Guide