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Closed Caption; Director's commentary; Deleted and extended scenes; "Getting It Made" featurette; Bonus previews
Full Product DetailsSide #1 --
1. Main Titles/Adjusting [5:29]
2. Family Ties [3:23]
3. Reflection [3:09]
4. First Impressions [3:51]
5. Watching Candy [3:24]
6. Damaged Goods [3:13]
7. Revelations [4:09]
8. Loving Too Much [4:07]
9. Sergeant Lucas [3:19]
10. My Idea of Normal [3:48]
11. Tough Ivy [4:32]
12. Love and Denial [3:54]
13. I Am Not a Monster [3:12]
14. Earliest Images [4:56]
15. Bird Watching, People Watching [3:42]
16. A Predator Sport [1:45]
17. Little Red Riding Hood [5:58]
18. Watch Your Back [3:35]
19. Uncommon Beauty [3:48]
20. Sending Robin Home [3:18]
21. Self-Hatred [2:03]
22. Stay out of Trouble [2:40]
23. Hurt and Angry [2:27]
24. End Credits [3:21]
Kevin Bacon, a generally underrated actor who has never been afraid to take chances, really goes out on a limb with a nuanced performance as a pedophile in this intense but rewarding drama. He plays Walter, a guilt-ridden ex-con who attempts to make a place for himself in society after spending 12 years in prison. Keeping his background a secret, he takes a job in a lumberyard and even begins dating a co-worker, forklift operator Vickie (Kyra Sedgwick, Bacon's real-life wife). But his past eventually becomes known and he finds himself struggling to stay on the path to redemption. The directorial debut of recent NYU Film School graduate Nicole Kassell, The Woodsman is remarkably assured; there's nothing at all tentative about the material or the way it's handled. Kassell tells a story that rejects any facile, one-dimensional characterization of the pedophile-as-monster. She presents Walter as a tormented soul grappling with his conscience and forcing himself to reject thoughts and behaviors he instinctively knows to be abhorrent. This is a real tour de force for Bacon, who imbues the child molester with genuine emotions. Home viewers, like some of the film's supporting characters, may detest Walter for what he has done, but before the closing credits roll they'll have a better idea of who he is. Kassell wisely avoids anything that smacks of sensationalism or exploitation, and that makes Woodsman palatable for consumption by mature audiences. To the extent that the movie is about understanding and forgiveness, it can be seen as teaching lessons we all need to learn -- or relearn. Ed Hulse, Barnes & Noble
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