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Closed Caption; Commentary by director Howard Deutch and screenwriter George Gallo; Theatrical trailer; English and French languages; English, French, and Spanish subtitles
Full Product DetailsSide #1 --
1. Torn Halves [2:17]
2. Not Quite a Hitwoman [4:42]
3. Shooting Blanks [1:24]
4. Who Sent You, Buttercup (Are You Having Any Fun?) [3:51]
5. Piece of Pie [3:04]
6. Pregnant and Fearful [2:55]
7. Oz's Visitors [5:00]
8. Headed South [3:20]
9. Back in the Game [4:15]
10. Anyone Hit Anything Yet? [4:25]
11. No Problems [3:14]
12. Fatherly Advice [3:26]
13. Hello, Strabo [4:00]
14. Cross Over the Cross [2:21]
15. Matters of Dysfunction [1:39]
16. Avoidance Behavior [1:50]
17. Feel My Broken Heart [4:51]
18. Trunkload of Trouble [5:09]
19. She's Out of Here [7:03]
20. Phone Static [2:50]
21. That Kind of Receptionist [3:17]
22. Grounds for Divorce [4:19]
23. Killer Jill [3:46]
24. Shoot Papa in the Foot [5:17]
25. In On the Plan (We're All in Love) [4:06]
26. End Credits (El Sopón de Yuya) [1:32]
The unlikely teaming of action hero Bruce Willis and sitcom star Matthew Perry helped make the farcical black comedy The Whole Nine Yards a surprise comedy hit in 2000, and the boys are together again in this equally funny sequel. Perpetually fearful dentist Nicholas "Oz" Oseransky (Perry) has good reason to be afraid after Hungarian mobsters kidnap his beautiful wife, Cynthia (Natasha Henstridge). Too scared to get aid from the police, Oz turns to his old nemesis, former hit man Jimmy the Tulip (Willis), for help. But the now-retired Jimmy and his wife, Jill (Amanda Peet), have their own problems: Mobster Lazlo Gogolak (Kevin Pollak), eager to settle an old score, has found out where they're living. Director Howard Deutch weaves these seemingly disparate plot threads into a comedic quilt. Perry once again demonstrates a flair for physical comedy that complements his facile line delivery, and Willis shows a willingness to send up his post-Die Hard image as a tough guy. The only complaint is that the ravishing Henstridge isn't on screen as much as her costars, although she makes the most of her relatively few opportunities to score laughs. The denouement is a little silly, and some of the verbal gags fall flat, but overall The Whole Ten Yards can be depended upon for a rollicking good time. Ed Hulse, Barnes & Noble
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