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Closed Caption; Commentary by director/screenwriter Philip Kaufman, screenwriter Jean-Claude Carriere, co-star Lena Olin and editor Walter Murch; Emotional History: The Making of The Unbearable Lightness of Being; Theatrical trailer; Languages: English & Français; Subtitles: English, Français & Español (feature film only)
Full Product DetailsDisc #1 -- The Unbearable Lightness of Being [Special Edition], Disc 1
1. Take Off Your Clothes [4:05]
2. Small-Town Operation [3:59]
3. Pursuing Tereza [4:17]
4. That Anna Karenina [3:19]
5. All in the Details [3:51]
6. House Call on the Doctor [4:34]
7. What Her Spies Say [4:02]
8. Life Outlined [3:51]
9. Just a Dream [5:32]
10. Knowing a Scoundrel [3:23]
11. Changing Their Tune [3:51]
12. Nothing Sacred [3:30]
13. Picking and Choosing [5:18]
14. The Other Women [2:48]
15. Pictures From an Invasion [7:24]
16. Interrogation [3:30]
17. Refugees [1:44]
18. Lunch With Franz [5:13]
19. Trains Are So Erotic [2:37]
20. Nudes Before News? [3:43]
21. Between Two Men [5:55]
22. Through the Lens Nakedly [6:07]
23. Sabina's Turn [4:23]
24. Franz's News [4:26]
25. Unbearable Lightness [4:59]
26. Drawn Homeward [3:29]
27. Reunited [4:02]
Disc #2 -- The Unbearable Lightness of Being [Special Edition], Disc 2
28. The Retraction [3:49]
29. Politically Suspicious [5:48]
30. The Engineer's Business [4:50]
31. Woman in the Window [3:50]
32. Smelling of Sex [2:16]
33. Tereza's Tryst [6:04]
34. True Identity? [2:41]
35. On the Edge [2:29]
36. Country Life [3:46]
37. Farewell to Karenin [6:31]
38. Shall We Dance? [5:47]
39. Sabina's Sadness [3:39]
40. Tomas' Happiness [3:02]
41. End Credits [3:46]
Critics on both sides of the Atlantic lauded Philip Kaufman’s ambitious adaptation of Milan Kundera’s autobiographical novel about life and love in Soviet-occupied Czechoslovakia, although the movie performed much better in Europe than here in America. In fact, many Kundera adherents expressed wonderment that Kaufman and screenwriter Jean-Claude Carriere achieved a cohesive cinematic translation of a novel most people thought unfilmable. Daniel Day-Lewis makes an indelible impression as Tomas, the Prague-based surgeon and compulsive womanizer who eventually marries lovely country girl Tereza (Juliette Binoche) while continuing an affair with free-spirited artist Sabina (Lena Olin), who abandons him when Russian tanks roll into the country in the spring of 1968. Day-Lewis excels as the opaque, uncommunicative surgeon, and the female leads are equally memorable in their skillfully drawn roles. As pointed out in a making-of featurette on this disc, Being was filmed before the Iron Curtain fell, and the production was not without risk; Kaufman claims that he received death threats (presumably from pro-Soviet entities) and was accompanied by bodyguards while shooting on location. That makes his achievement all the more remarkable. Ed Hulse, Barnes & Noble
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