The Time Machine with Guy Pearce: DVD Cover

    The Time Machine Director: Simon Wells Cast: Guy Pearce, Samantha Mumba, Mark Addy, Sienna Guillory

    DVD - Wide Screen / DTS Learn more

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    • DVD Release Date: 07/23/2002
    • Rating: Rated PG13
    • Sales Rank: 8,928

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    • Overview
    • Editorial Reviews
    • Scenes
    • Customer Reviews
    • Cast & Crew
    • Full Product Details

    Scenes

    Features

    "Creating the Time Machine"; "Creating the Morlocks"; Animated sequence featuring Simon Wells' original storyboards set to music; Commentaries from director, producer, editor and visual effects supervisor; Deleted scenes

    Full Product Details

    Scene Index

    Side #1 --
    1. Alexander [7:03]
    2. Emma [5:16]
    3. 4 Years Later [3:05]
    4. The Machine [2:49]
    5. Saving Emma [6:11]
    6. "The Future Is Now" [4:50]
    7. Vox [3:41]
    8. 2037 [3:23]
    9. The Eloi [9:40]
    10. The Dream [2:22]
    11. Questions [3:39]
    12. The Hunt [5:48]
    13. Two Species [3:29]
    14. The Morlock Lair [4:34]
    15. The Uber-Morlock [5:08]
    16. The Answer [4:39]
    17. Changing the Future [6:31]
    18. Home [4:03]
    19. End Credits [4:16]

    Scene Index

    Editorial Reviews

    A classic science fiction novel by H. G. Wells, previously adapted to film in 1960, gets a vigorous reworking in this sumptuous, visually arresting popcorn movie directed by the author's great-grandson, Simon Wells. Guy Pearce plays Alexander Hartdegen, a brilliant mathematician who builds a time-travel device and, following the untimely death of his fiancée, uses it in an ill-fated attempt to change the course of history. Inadvertently, he catapults himself some 8,000 centuries into the future. There he finds a technological wasteland in which Homo sapiens has split into two subspecies: the peaceful Eloi, who enjoy a potentially idyllic, arboreal existence on the planet's surface, and the Morlocks, cannibals who only emerge from their underground dwellings in search of human food. Director Wells employs a wide variety of digitally created visual effects -- in combination with imaginatively designed sets, props, makeup, and costumes -- to create the illusion of an Earth that is almost unimaginably different from the one we know today. Jeremy Irons, deliciously malevolent, turns up late in the proceedings as the über-Morlock against whom Alexander is pitted. Former model Samantha Mumba is suitably decorative as Mara, the Eloi maiden who steals the time traveler's heart. Not to be taken seriously, The Time Machine has been expertly turned out and will amply reward viewers willing and able to suspend disbelief. Ed Hulse, Barnes & Noble

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    Customer Reviews

    Very Different From the Bookby Anonymous

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    May 02, 2009: This movie was good, and I watched it before I read the book. In fact, this movie was the reason that I read the book. But after reading it, I realized how different they were. I was very surprised to find out that H.G. Wells's great-grandson was the director of this movie, because I would think that he would be more faithful to his work. In the book, the Elois were only a descendent of humans, but in the movie, they were pretty much the same as humans. Also, large portions of the movie were just made up as an excuse to show more time travel. They made up the character of Emma entirely, as well as their interpretations of the years 2030 and 2037. This is a good movie, but it is best not to compare it to the book, because they are too different.

    I Also Recommend: The Time Machine.

    An Uninspiring Imitationby Anonymous

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    April 27, 2004: This movie hardly carries the epic theme of the original novel or its cinematic predecessor. The script and direction seemed more interested in disseminating vapid politically correct propaganda with bad acting instead of emphasizing any of the novel's or the original film's theme on social evolution and class distinction. Yes, the special effects were great but hardly credible. I'd find it hard to believe that there would be any shred of civilization after millions of years of geological change: especially those depicted in the film. A shallow love story plot being used to convey one on extreme social darwinism seems more comical than anything esle: as if the screenwriters had decided to shoot themselves in the foot. Apart from Jeremy Irons, the acting in this film is just too weak to be worthy of any praise. Ignore this film and get the original one instead: you won't miss a thing.


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