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"Creating the Time Machine"; "Creating the Morlocks"; Animated sequence featuring Simon Wells' original storyboards set to music; Commentaries from director, producer, editor and visual effects supervisor; Deleted scenes
Full Product DetailsSide #1 --
1. Alexander [7:03]
2. Emma [5:16]
3. 4 Years Later [3:05]
4. The Machine [2:49]
5. Saving Emma [6:11]
6. "The Future Is Now" [4:50]
7. Vox [3:41]
8. 2037 [3:23]
9. The Eloi [9:40]
10. The Dream [2:22]
11. Questions [3:39]
12. The Hunt [5:48]
13. Two Species [3:29]
14. The Morlock Lair [4:34]
15. The Uber-Morlock [5:08]
16. The Answer [4:39]
17. Changing the Future [6:31]
18. Home [4:03]
19. End Credits [4:16]
A classic science fiction novel by H. G. Wells, previously adapted to film in 1960, gets a vigorous reworking in this sumptuous, visually arresting popcorn movie directed by the author's great-grandson, Simon Wells. Guy Pearce plays Alexander Hartdegen, a brilliant mathematician who builds a time-travel device and, following the untimely death of his fiancée, uses it in an ill-fated attempt to change the course of history. Inadvertently, he catapults himself some 8,000 centuries into the future. There he finds a technological wasteland in which Homo sapiens has split into two subspecies: the peaceful Eloi, who enjoy a potentially idyllic, arboreal existence on the planet's surface, and the Morlocks, cannibals who only emerge from their underground dwellings in search of human food. Director Wells employs a wide variety of digitally created visual effects -- in combination with imaginatively designed sets, props, makeup, and costumes -- to create the illusion of an Earth that is almost unimaginably different from the one we know today. Jeremy Irons, deliciously malevolent, turns up late in the proceedings as the über-Morlock against whom Alexander is pitted. Former model Samantha Mumba is suitably decorative as Mara, the Eloi maiden who steals the time traveler's heart. Not to be taken seriously, The Time Machine has been expertly turned out and will amply reward viewers willing and able to suspend disbelief. Ed Hulse, Barnes & Noble
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