The Third Man with Joseph Cotten: DVD Cover
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The Third Man Director: Carol Reed Cast: Joseph Cotten, Alida Valli, Orson Welles, Trevor Howard

DVD - 2 Disc Set - Black & White Learn more

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  • DVD Release Date: 05/22/2007
  • Original Release: 1949
  • Rating: Not Rated
  • Sales Rank: 55
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Viewer Rating: (20 ratings)

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  • Overview
  • Editorial Reviews
  • Scenes
  • Customer Reviews
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Scenes

Features

Disc One: ; All-new, restored high-definition digital transfer; Vido introduction by writer-director Peter Bogdanovich; Two audio commentaries: one by filmmaker Steven soderbergh and screenwriter Tony Gilroy and one by film scholar Dana Polan; Abridged recording of Graham Greene's treatment, read by actor Richard Clarke; Disc Two: ; Shadowing "The Third Man" (2005), a ninety-minute feature documentary on the making of the film; "Graham Greene: The Hunted Man," an hour-long, 1968 episode of the BBC's Omnibus series, featuring a rare interview with the novelist; Who Was the Third Man? (2000), a thirty-minute Austrian documentary featuring interviews with cast and crew; The Third Man on the radio: the 1951 "A Ticket to Tangiers" episode of the series The Lives of Harry Lime, written and performed by Orson Welles; and the 1951 Lux Radio Theatre adaptation of The Third Man; Illustrated production history with rare behind-the-scenes photos, original UK press book, and U.S. trailer; Actor Joseph Cotten's alternate opening voice-over narration for the U.S. version; Archival footage of postwar Vienna; A look at the untranslated foreign dialogue in the film; Plus: a booklet featuring essays by Luc Sante, Charles Drazin, and Philip Kerr

Full Product Details

Scene Index

Disc #1 -- Third Man: The Film
1. Vienna Greets Holly Martins [5:37]
2. "A Fellow Called Lime" [2:29]
3. "My Name's Calloway" [2:33]
4. Mr. Crabbin and Mr. Kurtz [4:12]
5. Scene of the Crime [3:26]
6. Backstage at the Josefstadt [4:23]
7. "There Was a Third Man" [4:59]
8. "Leave Death to the Professionals" [5:00]
9. "Vinkel!" [4:37]
10. Popescu at the Casanova Club [6:08]
11. "One of Those Bad Days" [3:20]
12. A Date With the Porter [4:15]
13. A Literary Celebrity [4:38]
14. The Harry Lime File [3:50]
15. The Author As Romantic [5:41]
16. The Cat in the Doorway [2:22]
17. Men Underground [2:47]
18. An International Police Action [4:29]
19. The Prater Wheel [8:18]
20. The Price of Penicillin [6:47]
21. "Ballon, Mein Herr?" [3:58]
22. The Ghost in the Sewers [8:04]
23. Last Respects [2:59]
Disc #2 -- Third Man: The Supplements
1. Back From the Dead [8:35]
2. "Something Like Night in Vienna" [8:49]
3. Korda and Hartl [3:22]
4. A Zither? [3:30]
5. The Clothes Issue [4:31]
6. Supporting Players [6:28]
7. A Twenty-Four-Hour Shoot [2:16]
8. Trevor Howard [1:28]
9. British Council Characters [1:34]
10. "But Where Was Harry?" [9:53]
11. No Longer the Old Zane Grey Days [6:46]
12. The New Cold War [3:15]
13. The Prater Wheel [6:57]
14. Harry's Victims [4:56]
15. Releasing Tension [3:05]
16. A Mercy Killing [5:27]
17. Reed's Ending [6:45]
18. Korda vs. Selznick [5:25]

Scene Index

Editorial Reviews

In this Cold War spy classic, Holly Martins (Joseph Cotten), a third-rate American pulp novelist, arrives in postwar Vienna, where he has been promised a job by his old friend Harry Lime (Orson Welles). Upon his arrival, Martins discovers that Lime has been killed in a traffic accident, and that his funeral is taking place immediately. At the graveside, Martins meets outwardly affable Major Calloway (Trevor Howard) and actress Anna Schmidt (Alida Valli), who is weeping copiously. When Calloway tells Martins that the late Harry Lime was a thief and murderer, the loyal Martins is at first outraged. Gradually, he discovers not only that Calloway was right but also that the man lying in the coffin in the film's early scenes was not Harry Lime at all--and that Lime is still very much alive (he was the mysterious "third man" at the scene of the fatal accident). Thus the stage is set for the movie's famous climactic confrontation in the sewers of Vienna--and the even more famous final shot, in which Martins pays emotionally for doing "the right thing." Written by Graham Greene, The Third Man is an essential classic, made even more so by the insistent zither music of Anton Karas. The film is currently available in both an American and British release version; the American print, with an introduction by Joseph Cotten, is slightly shorter than the British version, which is narrated by director Carol Reed. Nominated for several Academy Awards, The Third Man won Best Cinematography for Robert Krasker. Hal Erickson, All Movie Guide

Customer Reviews

  • Viewer Rating:
  • Ratings: 20Reviews: 2

Hitchcock could not have done it better.by edgar-rosemary-poe

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July 26, 2009: Awesome film noir. Fantastic performances and Orson Welles, as usual, the ignimatic character. A suspensful, wonderful film revealing the world of "spywork." RJW

This review was written about the Blu-ray edition.

Blu-ray "THE THIRD MAN" as good as it gets!by Cinemaniac

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December 17, 2008: Film buffs have a reason to celebrate.

Carol Reed's "THE THIRD MAN," perhaps the most highly-regarded film in world cinema is now available in a jaw-dropping Blu-ray transfer.

This wondrous movie has never looked better and it is hard to imagine anything more that could possible be done to improve the image quality. It looks like a first viewing directly from the lab. I doubt Carol Reed ever saw it in such a pristine condition! The blacks are velvety and the grays and whites shimmer with a silvery sheen. Even the intentional fine grain is sharper! And the retro mono sound is sharp. This ultimate edition deserves a special place on the small shelf of great world cinema.

The plot is minimal. American pulp novelist Holly Martins (Joseph Cotton) travels to post WW II Vienna to see his friend Harry Lime (Orson Welles). But instead ends up investigating the apparent death of the black market operator in a city of fractured, shadowy loyalties. It is a tale that, on the surface, is about love, deception and murder. The dark trinity of great noir mysteries.

But it is not so much the plot that makes this remarkable film so highly-regarded but rather the extraordinary sense of time and place. Graham Greene's acerbic dialogue seduces and cuts. There's the brilliant black and white photography by Robert Krasker -- often slight askew and reminiscent of German expressionism.

Perhaps most memorable of all is the audacious zither score by Anton Karas. It perfectly frames the mood and atmosphere of this unforgettable film that somehow burns itself into one's own experience.

If the story is secondary, what is this film really "about"? Perhaps it is about being lost in a fractured landscape where old ideals and values have evaporated. Where meaning is ephemeral. It is a post-modern amorality tale awash in the frisson of deception and cynicism of our time.

But whatever the metaphor, it is a hypnotically compelling film that is much greater than the sum of it's masterful parts. Unquestionably a great film as well as art. A rare achievement indeed.

This hi-def disc is a transfer of the previous, restored, two-disc edition. The watchable bonus material -- great documentaries and archival material -- is generous (see product description). I especially enjoyed the enthusiastic and insightful commentary by Steven Soderbergh and Tony Gilroy. Film scholar Dana Polan provides a second remarkably detailed commentary.

This Blu-ray upgrade is one for the digital library.

This review was written about the Blu-ray edition.