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Director's commentary, The Perfect Fit: A Conversation with Pierce Brosnan and Geoffrey Rush; alternate ending; filmographies; production notes; theatrical trailers
Full Product DetailsSide #1 -- THE TAILOR OF PANAMA
0. Scene Selections
1. Start [7:44]
2. Ramon [1:34]
3. A new customer [5:25]
4. I know who you are."|00:03:24|}
5. Harry's club [1:52]
6. Mickey [7:06]
7. The British Embassy [2:48]
8. Safe in Andy's office [1:42]
9. Nigel's briefing [1:42]
10. 20 grand [2:10]
11. Marta [6:30]
12. With the President [1:59]
13. Pulling Andy's chain [4:38]
14. Method B [2:48]
15. Andy's amazing discoveries [:43]
16. Spiyng on his own wife [4:53]
17. Teddy [3:02]
18. Pals, as such [1:34]
19. Going for a swim [3:35]
20. Rendezvous #3 [4:23]
21. "Are we copper-bottomed?" [4:39]
22. Harry & friends [1:15]
23. Pentagon briefing [4:59]
24. Humble planners & plotters [6:07]
25. All a game [4:45]
26. A good enough excuse [2:14]
27. "Palms have been greased." [8:03]
28. The truth [1:38]
A bestselling John le Carré novel provides the basis for this droll, cynical thriller in which opportunistic con artists engage in a dangerous game of one-upsmanship that eventually foments an international crisis. Pierce Brosnan is cleverly cast as British agent Andy Osnard, a womanizing rotter whose continual screw-ups get him banished to Panama City. Hoping to uncover information that will restore him to his handlers' good graces, Andy solicits gossip from loose-tongued Harry Pendel, a debt-ridden tailor who knows everyone and tells everything. The promise of government money inspires Harry to invent an underground political movement reputedly interested in staging a revolution, but his little white lies have dire consequences that endanger his American wife, Louisa (Jamie Lee Curtis), and his two children. Director John Boorman (Deliverance), who co-scripted with le Carré, doesn't rely on stunt-crammed, mindless action sequences to advance his story; Tailor is carefully constructed and richly detailed. The crisply photographed Panama locations simultaneously reveal tropical beauty and third-world squalor, and similar contradictions are present in the main characters. Geoffrey Rush is excellent as the talkative tailor, but it's Brosnan who really shines as the amoral agent. There's no Bondian derring-do in this wry, intelligent melodrama, but a surfeit of pithy lines, memorable characterizations, and outrageous situations more than compensate for the lack of explosions, fistfights, and car chases. Boorman reveals juicy behind-the-scenes information in an exhaustive commentary for the DVD, which also has interviews with Brosnan and Rush, an alternate ending, filmographies, production notes, and theatrical trailers. Ed Hulse, Barnes & Noble
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