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All new widescreen special edition; Digitally remastered with completely restored audio ; Available in Dolby Digital 5.1 and DTS 5.1 Surround Sound for the very first time; The Art of the Sting: Reveals an insider's look at the creation of a classic through riveting interviews with legends Robert Redford, Paul Newman, and many more; A Perfect Script: Filmmakers and cast members share their memories of the film's pre-production days; Making a Masterpiece: A revealing look at the filming of the most memorable double-crosses in film history; The Legacy: Director George Roy Hill and the Hollywood of yesteryear are fondly remembered
Full Product DetailsDisc #1 -- The Sting - Feature Presentation
1. Main Titles/The First Con [12:09]
2. Lonnegan Strikes Back [11:57]
3. The Set-Up/The Great Henry Gondorff [4:51]
4. The Round-Up [6:00]
5. Playing for Lonnegan [5:28]
6. The Hook [6:02]
7. A Friendly Poker Game [14:25]
8. The Double-Cross [5:18]
9. The Tale [1:24]
10. Hooker on the Lam [10:15]
11. The Wire [5:44]
12. A Federal Case [6:52]
13. The Shut-Out [2:54]
14. Hooker Hooked by the Feds [8:00]
15. The Sting [10:47]
16. The Big Con/End Credits [6:51]
Disc #2 -- The Sting - Bonus Features
1. The Perfect Script [23:15]
2. Making a Masterpiece [22:56]
3. The Legacy [10:04]
Reunited several years after being paired in 1969's Butch Cassidy and the Sundance Kid, Paul Newman and Robert Redford proved with this delightful 1973 caper film that their onscreen chemistry was, in cinematic terms, historic. The Sting more than matched the earlier film's box-office success, and it won a total of seven Academy Awards, including Best Picture, Director, and Screenplay. David S. Ward's complicated but skillfully developed script sets the action during the depths of the Depression in Chicago, where small-time grifter Johnny Hooker (Redford) enlists the aid of legendary con man Henry Gondorff (Newman) to mount an elaborate "sting," targeting ruthless New York gangster Doyle Lonnegan (Robert Shaw), who was responsible for the murder of Johnny's mentor, Luther Coleman (James Earl Jones). It's a potentially dangerous undertaking that Henry initially disdains. But the lure of the "big con" is irresistible, and ultimately the two men team up to stage an operation so intricate it will require the services of more than a dozen confederates -- all of whom anticipate a big payoff. Director George Roy Hill (The World According to Garp), never the most stylish of filmmakers, won his well-deserved Oscar for coordinating the creative efforts of a sublimely talented group working both in front of and behind the cameras. The film is a pluperfect example of this most collaborative art form. The production design brilliantly re-creates the 1930s in sets, costumes, and props; the lighting and photography is crisp; the editing maintains a crackling pace; and even the ragtime music of Scott Joplin (arranged by Marvin Hamlisch), though written decades before the time frame of the movie, seems perfectly appropriate for the mood and setting. Performances are faultless, with stars Newman and Redford heading but not dominating a superb cast, each member of which represents the perfect choice for his or her part. It's hard to imagine anybody other than Robert Shaw as the vicious Irish mobster, and the same goes for Harold Gould's dapper con man, Charles Durning's corrupt cop, Eileen Brennan's hard-boiled hooker, or Ray Walston's smooth-talking sharpster. Simply put, there isn't a single discordant note in this symphony of cinematic artisanship. Ed Hulse, Barnes & Noble
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