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Closed Caption; Interviews with director Bryan Forbes, producer Edgar J. Scherick, and stars Katharine Ross, Paula Prentiss, Nanette Newman, and Peter Masterson; Theatrical trailer; Radio spots; Talent bios; Widescreen version enhanced for 16 x 9 TVs; Dolby Digital English mono and French mono
Full Product DetailsSide #1 --
1. Program Start/Main Titles [5:25]
2. Welcome to Stepford [4:13]
3. Quiet Little Town [3:53]
4. "Why Bother to Ask Me at All?" [2:33]
5. Fender Bender [5:16]
6. "I Really Love You" [2:53]
7. Bobby Marko [4:31]
8. Stepford Men's Association [5:35]
9. Work of Art [3:05]
10. Garden Party [4:05]
11. Carol's Apology [4:48]
12. Tennis With Charmaine [4:23]
13. The Joys of Spray Starch [3:38]
14. Landmark Building [4:40]
15. Perfect Wife and Mother [5:06]
16. A New Woman [2:24]
17. Something in the Water [6:28]
18. House Hunting [4:29]
19. Shutterbug [2:57]
20. Bobby's Transformation [5:51]
21. "If I'm Wrong, I'm Insane" [6:11]
22. Domestic Violence [4:06]
23. "I Thought We Were Friends" [3:02]
24. Joanna Lashes Out [2:24]
25. Entering the Association [5:38]
26. Perfection [2:57]
27. The Stepford Wives [2:54]
28. End Credits [1:02]
A dark secret lurks beneath domestic tranquility in The Stepford Wives, an oh-so-'70s psychological thriller from director Bryan Forbes. Screenwriter William Goldman (Marathon Man) adapted the novel by Rosemary's Baby author Ira Levin that imagines nightmarish underpinnings to a suburban dream. New York City housewife Joanna (Katharine Ross) moves with her husband and children to the town of Stepford, Connecticut, a haven of good schools, low taxes, and clean air. Oddly, though, Joanna's female peers all exude a zombielike placidity. The Stepford Wives hits all the beats of the classic conspiracy story, as Joanna increasingly suspects evil is afoot, questions everyone and everything around her, and eventually fears for her own sanity. The story serves up classic stereotypes along the way: children pile into station wagons, neighbors offer casseroles, women shop in cheery, shiny supermarkets, and men work the backyard grills -- it's an idyllic upper-class setting of green, green lawns. Paula Prentiss is nicely spunky as a fellow newcomer to Stepford who shares Joanna's suspicions, and Patrick O'Neal has a small but sharply sinister role as the founder of the secretive local men's association. But Ross is the real attraction here: This uniquely beautiful actress's girl-next-door allure perfectly suits this strangely asexual feminist allegory. Gregory Baird, Barnes & Noble
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