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| DVD - Wide Screen / Repackaged / Subtitled / Dubbed | $19.99 |
Closed Caption; Deleted scenes; Documentary "A Trip to the Sea Inside"; Director commentary, storyboards, photo and set design galleries; Theatrical trailer
Full Product DetailsSide #1 --
1. Imagine [4:46]
2. "Why Choose Death?" [7:25]
3. "Negra Sombra" [7:00]
4. Identifying With Ramon [2:13]
5. Reflections [8:18]
6. Taking Flight [7:58]
7. Julia Falls Ill [10:00]
8. Heart to Heart With Rosa [13:22]
9. Banter With Padre Francisco [3:52]
10. Surprise Visitor [6:12]
11. Preparing for Court [8:59]
12. Justice? [9:40]
13. The Package [6:24]
14. Off to Boiro [6:38]
15. Dignity Found [8:03]
16. Out to Sea [7:12]
One of 2004's most profoundly moving films, The Sea Inside recounts the heartrending story of a Spanish quadriplegic who, after spending 26 years in bed, insists that he has a right to die. Paralyzed from the neck down in a diving accident as a young man, Ramon Sampedro (Javier Bardem) has the support of a devoted family and the ability to write by holding a pen in his mouth. He enjoys music, listens to the radio, watches TV, and imagines himself flying away on beautiful days. He is loved by a local girl, Rosa (Lola Duenas), and by his lawyer, Julia (Belen Rueda), herself the victim of a degenerative disease. Although he puts up a brave front, Ramon believes his condition affords him no dignity and wants only to die. This is an intensely dramatic film; even the most hard-hearted viewer will be affected by Ramon's predicament and the icy-cold reasoning he brings to seeking the ultimate escape. The always-exemplary Bardem operates at the peak of his ability, investing the character with great warmth and limitless charm while expertly (and often subtly) depicting the pain and frustration he experiences on a daily basis. Both sides of the euthanasia issue are presented; the right-to-die lawyer Julia supports Sampedro's decision, while the villager Rosa and the local priest disagree sharply. Director Alejandro Amenabar does not resort to florid melodrama to tell his story; his narrative choices -- including camera placements, lighting, and the staging of scenes -- are never flamboyant. He doesn't impose emotions through direction but rather encourages the actors to release them, naturally, from the essence of their characters. The result is a uniquely compelling, even haunting, motion picture. Ed Hulse, Barnes & Noble
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