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Closed Caption; Widescreen 16x9; English, Spanish subtitles
Full Product DetailsSide #1 --
1. Red Violin [4:31]
2. Auction [5:08]
3. Private Conversation [4:34]
4. Maestro [5:41]
5. Prodigy [6:46]
6. Tutor [4:27]
7. Keeping Time [4:46]
8. Solace [4:09]
9. Auditions [4:04]
10. Early Departure [5:18]
11. Gypsy Player [4:55]
12. Fetid Corpse [7:34]
13. Afflicted [6:22]
14. Pope Foundation [5:17]
15. New Owner [6:45]
16. March [1:25]
17. Offering [3:48]
18. Second Opinion [6:04]
19. Reserves [5:53]
20. Organic Compound [4:57]
21. The Genesis [6:43]
22. Instrument of Deceit [4:24]
23. Very Special [4:22]
24. End Credits [7:12]
A universal yearning for beauty and perfection underpins the Red Violin, Francois Girard's ambitious, lyrical drama following the passage of a meticulously crafted violin from owner to owner. We see the instrument's painstaking creation in 1681 by master artisan Nicolo Bussotti (Carlo Cecchi), who intends it for his unborn son. Over a period of 300 years the violin acquires innumerable owners, traveling from rich to poor, from country to country, but always producing the same achingly beautiful music for those who most appreciate it. Bussotti's violin becomes legendary, and eventually comes under the covetous eye of connoisseur Charles Morritz (Samuel L. Jackson) in a surprisingly suspenseful climax. Girard uses the violin as a narrative device to link his vignettes, which offer trenchant observations on love, music, culture, politics, poverty, crime, and even death. A movie of unusual complexity, yet one animated by a simple theme, The Red Violin is an oddly affecting throwback to the elegant period dramas made by filmmakers many decades ago. Ed Hulse, Barnes & Noble
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