The Red Shoes with Anton Walbrook: DVD Cover
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The Red Shoes Director: Emeric Pressburger, Michael Powell Cast: Anton Walbrook, Marius Goring, Moira Shearer, Léonide Massine

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  • DVD Release Date: 05/18/1999
  • Rating: Not Rated
  • Sales Rank: 170
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Viewer Rating: (3 ratings)

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Features

New digital transfer supervised by director of photography Jack Cardiff; Audio commentary by film historian Ian Christie, featuring interviews with Marius Goring and Moira Shearer, Jack Cardiff, composer Brian Easdale, and Martin Scorsese; Jeremy Irons reads excerpts from Powell and Pressburger's novelization of The Red Shoes and the original Hans Christian Andersen fairy tale "The Red Shoes"; Martin Scorsese's collection of The Red Shoes memorablilia; Rare publicity and behind-the-scenes production stills; "The Red Shoe Sketches," animated film of Hein Heckroth's painted storyboards, with a comparison to "The Red Shoes" ballet as an alternate angle ; Theatrical trailer; Powell and Pressburger filmography with clips and stills; English subtitles for the deaf and hearing-impaired; Optimal image quality: RSDL dual-layer edition

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Scene Index

Side #1
0. Chapters
1. Opening credits [3:04]
2. Musicians and balletomanes [3:44]
3. "Heart of Fire" [4:45]
4. Lady Neston's party [4:24]
5. "A matter of very great importance" [4:04]
6. Covent Garden: Backstage [8:09]
7. Natural ambitions [4:15]
8. The Mercury Theatre [2:17]
9. Paris [3:41]
10. The story of "The Red Shoes" [3:05]
11. Irina is finished [2:55]
12. An invitation [5:38]
13. Julian scores [3:36]
14. "Nothing but the music" [7:39]
15. "The Red Shoes" ballet: Overture [4:45]
16. The shoemaker and the girl [3:28]
17. The fair at night [2:17]
18. Night terrors [1:39]
19. Newspaper dance [1:15]
20. Masks and monsters [1:22]
21. The ballroom [2:49]
22. The churchyard [2:30]
23. Curtain calls [:45]
24. "You will do the dancing" [5:17]
25. The great roles [3:50]
26. Grisha's birthday party [3:32]
27. Night ride [3:26]
28. "Mr. Craster is leaving the company" [5:37]
29. Vicky resigns [2:55]
30. Lermontov's reflection [3:37]
31. Irina returns [3:52]
32. Sleepless nights [4:56]
33. "Dance for us again" [2:52]
34. The struggle for Vicky [4:55]
35. Vicky's last dance [5:41]
36. End credits [:42]

Scene Index

Editorial Reviews

Lush, romantic, and gorgeously photographed, this beloved 1947 classic captures the magic and movement of ballet more perfectly than any film made before or since. Based loosely on Hans Christian Andersen's tragic fairy tale, the story follows aspiring ballerina Victoria Page (the dazzling Moira Shearer) as she pursues her heart's desire under the tutelage of charismatic and demanding impresario Boris Lermontov (Anton Walbrook). But when Vicki becomes romantically involved with composer Julian Craster (Marius Goring), she finds herself forced to choose between love and dance. And without dance, Vicki cannot live.… The high-water mark in the career of the great British writing and directing team of Michael Powell and Emric Pressburger, The Red Shoes won Academy Awards for Best Score and Best Art Direction. Filled with cameos and choreography by some of ballet's most illustrious names, it is a film that set thousands of little girls to dreaming of toe shoes and tutus. Karen Backstein, Barnes & Noble

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Customer Reviews

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  • Ratings: 3Reviews: 2

Artfulby RBNY

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September 21, 2009: The Red Shoes combines incredible dancing with a plot that is romantic and foreboding. Michael Powell and Emerich Pressburger's treatment of the story is very compelling and magical. Moira Shearer as Victoria Page not only dances superbly, but fills her role with great intensity and pathos. Boris Lermontov as the owner of the ballet company is consumed with her talent, and very possessive. He fills his role with a sardonic quality. Marius Goring as the young composer falls in love with Victoria Page, but their love is doomed. Powell and Pressburger incorporates Hans Christian Andersen's sad story of The Red Shoes in a ballet sequence that is highly expressionist filled with bold color. Criterion's restoration is illuminating.

A timeless classicby Anonymous

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July 19, 2004: I first saw this movie in 1954 and have loved it ever since. The ballet choreograpy is brilliant, the story line moves the film along and it is a must for any movie buff because it is that wonderful!