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America's love affair with the cowboys and desperadoes of the Old West -- fodder of so many hits in the silent era -- is transferred to the urban environment for the 1931 classic The Public Enemy. We meet Tom Power (James Cagney) and his pal Matt Doyle (Edward Woods) as Chicago street urchins who grow from young hoodlums to mob enforcers during prohibition. Raised in the school of hard knocks by a fence known as Putty Nose (Murray Kinnell), Matt and Tom hit the big time with bootlegger Paddy Ryan (Robert Emmett O'Connor). Swinging into the high society of the criminal element, Tom falls for a beautiful girl named Kitty (Mae Clarke) but can't stay put and quickly moves on to the even greater temptation of Gwen Allen (Jean Harlow). Tom's doting Ma (Beryl Mercer) turns a blind eye to his career, but his war-hero brother Mike (Donald Cook) is furious and sees that nothing good can come of Tom's life. The Public Enemy, directed by William Wellman (The Ox-Bow Incident), is perhaps the best of Hollywood's early celebrations of the criminal entrepreneurial spirit -- and, of course, Mike is there as a one-man banner for American truism. For, ultimately, crime does not pay, but boy all that opulence and gunplay sure is fun for a while! Matthew Johnson

All Movie Guide

William Wellman's landmark gangster movie traces the rise and fall of prohibition-era mobster Tom Powers. We are first shown various episodes of Tom's childhood with the corrupting influences of the beer hall, pool parlor, and false friends like minor-league fence Putty Nose. As young adults, Tom (James Cagney) and his pal, Matt Doyle (Edward Woods), are hired by ruthless but innately decent bootlegger Paddy Ryan (Robert Emmett O'Connor). The boys quickly rise to the top of the heap, with all the accoutrements of success: custom-tailored tuxedoes, fancy cars, and gorgeous girls. All the while, Tom's loving (and somewhat addlepated) mother (Beryl Mercer) is kept in the dark, believing Tommy to be a good boy, a façade easily seen through by his older brother Mike (Donald Cook). Tommy's degeneration from brash kid to vicious lowlife is brought home in a famous scene in which he smashes a grapefruit in the face of his latest mistress (Mae Clarke). Some dated elements aside, The Public Enemy is as powerful as when it was first released, and it is far superior to the like-vintage Little Caesar. James Cagney is so dynamic in his first starring role that he practically bursts off the screen; he makes the audience pull for a character with no redeeming qualities. The film is blessed with a superior supporting cast: Joan Blondell is somewhat wasted as Matt's girl, Mamie; Jean Harlow is better served as Tom's main squeeze, Gwen (though some of her line readings are a bit awkward); and Murray Kinnell is slime personified as the deceitful Putty Nose, who "gets his" in unforgettable fashion. Despite a tacked-on opening disclaimer, most of the characters in The Public Enemy are based on actual people, a fact not lost on audiences of the period. Current prints are struck from the 1949 reissue, which was shortened from 92 to 83 minutes (among the deletions was the character of real-life hoodlum Bugs Moran). Hal Erickson

Product Details

• UPC: 012569690622
• Source: WARNER HOME VIDEO
• Region Code: 1
• Presentation: Pan & Scan
• Language: English, Français
• Subtitles: English, Español, Français
• Editions: Subtitled
• Time: 1:24:00
• Sales Rank: 25,593

This DVD is also available as part of a box set:

• Warner Bros. Gangsters Collection, Vol. 1

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