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Deleted scenes including never-before-seen musical numbers; Outtakes; Analysis of a scene "I Wanna Be a Producer"; Feature commentary with director Susan Stroman
Full Product DetailsDisc #1 -- The Producers
1. "Opening Night" [3:30]
2. Hold Me/Touch Me [5:14]
3. Creative Accounting [9:13]
4. "We Can Do It!" [4:39]
5. "I Wanna Be a Producer" [6:38]
6. Revolting Stench of Self-Esteem [3:17]
7. Finding the Flop [3:15]
8. "Der Guten Tag Hop-Clop" [9:02]
9. "Keep it Gay" [11:26]
10. "When You Got It, Flaunt It" [9:07]
11. "Along Came Bialy" [6:20]
12. "That Face" [7:59]
13. Open Auditions [4:47]
14. Break a Leg [4:06]
15. "Springtime for Hitler" [2:04]
16. All Fired Up [8:04]
17. "Betrayed" [9:36]
18. "'Til Him" [6:01]
19. "Prisoners of Love" [7:06]
20. End Titles [4:38]
This movie version of a celebrated Broadway musical -- itself adapted by Mel Brooks from his revered 1968 feature film -- arrives on screen shouldering impossible expectations. Fortunately, The Producers is a hilarious romp, thanks in large part to the inspired teaming of Nathan Lane and Matthew Broderick, the twosome who made the original Broadway production shine. Lane portrays the larger-than-life but down-at-the-heels Broadway impresario Max Bialystock, who raises money for his shows by romancing wealthy old widows. Broderick is Leo Bloom, the timid, neurotic accountant who conjures up a plan to make a fortune by producing a guaranteed flop. The ensuing Bloom-Bialystock partnership conjures up what has to be a surefire disaster: the musical comedy Springtime for Hitler. Through uproarious interpretations of their own, Lane and Broderick are able to reinvent beloved characters firmly etched by Zero Mostel and Gene Wilder in the original film. Also reprising their stage roles are Gary Beach (as the flamboyant director Roger DeBris) and Roger Bart (as his "common law " assistant Carmen Ghia). Film stars Uma Thurman and Will Ferrell take key supporting roles; the ever-game Thurman reveals heretofore unsuspected musical talent as the sexy Swedish secretary Ulla. Director Susan Stroman, the mastermind behind the stage version, follows the Brooks script closely, opening it up just slightly by using authentic New York City locations as backdrops for a few of the over-the-top musical numbers. Overcoming the burden of comparison to the earlier versions, the new Producers succeeds firmly on its own merits. And with the DVD release, we now have the permanent pleasure of Lane's and Broderick's dazzling performances. Ed Hulse, Barnes & Noble
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