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Commentaries by Julianne Moore and director Jane Anderson; And more!
Full Product DetailsDisc #1 -- The Prize Winner of Defiance, Ohio
1. Opening Credits [2:33]
2. The Contester [2:56]
3. Rhyme Does Pay [5:16]
4. Father of the Year [5:35]
5. Defiance [4:07]
6. Queen for a Day [3:55]
7. Supermarket Spree [5:26]
8. What Are You Looking for, Dad? [5:08]
9. Functioning But Never Plush [1:41]
10. Too Damned Happy [5:56]
11. Spilled Milk [3:04]
12. Name That Sandwich [3:24]
13. Mrs. Dortha Schaefer [2:41]
14. Off We Go! [2:20]
15. A Nice Place to Leave [4:11]
16. The Affadaisies [4:50]
17. Jell-O Jollies Any Meal [3:20]
18. How Much Do We Owe? [3:50]
19. A Detective From Toledo [5:18]
20. Rock Bottom [4:48]
21. Everything Is Possible [3:15]
22. Time of Your Life [4:30]
23. The Ryans [4:08]
24. End Credits [1:44]
Based on Terry Ryan’s acclaimed childhood memoir, this domestic drama stars Julianne Moore as the author’s mother, Evelyn Ryan. Ryan, an Ohio housewife who endures the periodic rages of her alcoholic husband, manages to raise ten children and find fulfillment by entering and winning corporate-sponsored contests in the 1950s and ‘60s. Keeping her large lower-middle-class family on an even keel isn’t easy, especially when underachieving husband Kelly (Woody Harrelson) gets drunk every night and flies off the handle whenever his favorite team loses a ball game. With relentless cheeriness and a detachment that borders on spooky, Evelyn manages the household while submitting an endless supply of slogans and jingles to ad agencies that award prizes on behalf of major sponsors. Her frequent wins enable Evelyn not only to have her own identity outside the marriage but also to provide financial security for the family -- which doesn’t sit well with her brooding, resentful spouse. Moore dominates every scene with her impeccable portrayal of a determined woman who chooses optimism and dignity over despair and shame. She’s played more than her fair share of unfulfilled homemakers, and Prize Winner provides this gifted performer with an admirable, even inspirational character. The film benefits from scripting that doesn’t rely on stereotypes and pat, predictable situations; Evelyn and Kelly are recognizable, multi-dimensional people, and portrayed by actors of Moore’s and Harrelson’s standing, they engage our interest far more than might normally be the case. Ed Hulse, Barnes & Noble
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