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The Director's Notebook: The Cinematic Sleight of Hand of Christopher Nolan; Conjuring the Past; The Visual Maze; Metaphors of Deception; Tesla: The Man Who Invented the Twentieth Century; Resonances; The Art of the Prestige gallery
Full Product DetailsDisc #1 -- Prestige
1. Introduction [3:29]
2. "Something Went Wrong..." [4:15]
3. A Search for Answers [3:55]
4. The Start of a Great Career [4:22]
5. Total Devotion to His Art [7:14]
6. A Strong Knot [4:01]
7. More in Love With Magic [6:39]
8. An Effective Form of Misdirection [4:47]
9. The Great Danton [1:55]
10. Happiness That Should Have Been Mine [3:51]
11. Man's Reach Exceeds His Grasp [4:53]
12. A Complex Illusion [4:00]
13. The New Transported Man [6:18]
14. The Mistress of My Enemy [4:13]
15. Complete Power [4:47]
16. The Keyword Is the Method [4:09]
17. Secrets Are My Life [4:49]
18. Exact Science Is Not an Exact Science [5:30]
19. An Old Friend [12:30]
20. Considerable Risk [4:29]
21. The Prestige [4:57]
22. A Better Magician [3:45]
23. Are You Watching Closely? [6:03]
24. End Credits [9:53]
When released theatrically in 2006, Christopher Nolan's lovingly crafted adaptation of Christopher Priest's novel about rival magicians in the Victorian era suffered by comparison to The Illusionist. Even though the latter was a superior picture, this splendid film deserved better. On the basis of star power alone -- the cast includes Hugh Jackman, Christian Bale, Michael Caine, Scarlett Johansson, and David Bowie -- The Prestige merits reevaluation, and plot intricacies that befuddled some theatrical audiences won't hinder home viewers, who have the luxury of repeating scenes they may find confusing. Jackman and Bale play flamboyant prestidigitators Robert Angier and Alfred Borden, who are constantly striving to outdo each other. Their feud threatens to turn deadly, and Jackman's assistant, Olivia Wenscombe (Johansson), adds fuel to the fire by falling in love with Borden after being sent to spy on him. Caine adds yet another terrific supporting role to his resume, portraying Cutter, the craftsman whose mechanical skill aids Angier in creating his mind-boggling illusions. Real-life scientific wizard Nikola Tesla, superbly played by Bowie, figures in a subplot that only slightly exaggerates his genius and depicts some of his pioneering accomplishments. In his zeal to keep viewers as befuddled as the onscreen audiences watching the dueling magicians, Nolan indulges in a bit too much narrative trickery, but all is made clear at the end. Ed Hulse, Barnes & Noble
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Explicit deaths by hanging, gunfire, and drowning (all are only briefly shown, but it's clear enough what's going on); bodies (human and cat) zapped by electric currents; hand is shot, resulting in blood and missing fingers; fingers chopped... More
Explicit deaths by hanging, gunfire, and drowning (all are only briefly shown, but it's clear enough what's going on); bodies (human and cat) zapped by electric currents; hand is shot, resulting in blood and missing fingers; fingers chopped off hand (as a sign of commitment and "sacrifice" to art/life of magic); fall through a trapdoor leads to injury and a permanent limp. Close
Drinking to the point of drunkenness (the result of frustration in neglected wife and ambitious magician).
Mild profanity: a couple of instances of "s--t," as well as "damn" and "ass."
Some kissing and passionate embracing by a married couple and later by a different, adulterous couple; women in showy, bustiers on magicians' assistants; adultery.
Thematic: Magicians promote their own shows by crashing other magicians' shows with placards.
About ThePrestige
Parents need to know that this dark period piece about dueling magicians includes several violent deaths: two by drowning (the victims' frightened faces are visible), two by hanging, and another by shooting. Other violence includes one man shooting another's hand (there's some blood, and fingers are lost); the revelation that a bird has been smashed into a bloody pancake during a trick to simulate its "disappearance"; the accidental smashing of a woman's hand in a similar trick; and a man submitting to having his fingers chopped off (the action isn't shown, but the noise of the chop and his facial expression are jarring). Other than the violence, there's not too much to worry about -- a little sexual activity (mostly just kissing), fairly mild language, and some drinking.
Families can talk about the competition between Robert and Alfred. How does the movie show the rising stakes of their conflict? How can you tell that the audiences within the film love the magicians' illusions? Why are the magicians driven to go to such extreme lengths? How does their relationship with the more-experienced Cutter affect them? Is magic as popular today as it was in the late 1800s/early 1900s? Why or why not? Is there such a thing as real magic, or is it all illusion?