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Commentaries by Western scholar Dick Eulain and actor William Wellman, Jr.; A&E Biography episode, "Henry Fonda: Hollywood's Quiet Hero;" restoration comparison; original theatrical trailer; photo gallery.
Full Product DetailsSide #1 --
1. Main Titles
2. At the Saloon
3. Cattle Rustling
4. A Murder
5. The Judge
6. A Lynch Mob
7. The Posse Rides
8. At the Ox-Bow
9. Donald Martin
10. The Wait
11. Juan Speaks
12. A Majority Decision
13. The Lynching
14. The Sheriff
15. Locked Out
16. The Letter
This darkly hued, downbeat picture -- a critical success but a commercial failure upon its 1943 release -- has taken its place among filmdom’s classic westerns, even though it eschews the form’s conventions and lacks the archetypal nature of most great horse operas. Essentially, Ox-Bow is a Greek tragedy transposed to the American West, where three suspicious drifters (Dana Andrews, Anthony Quinn, Francis Ford) are captured and summarily tried -- without convincing evidence -- for cattle rustling and murder. A group of outraged citizens led by a Confederate officer (Frank Conroy) are determined to lynch the convicted men, but two levelheaded cowboys (top-billed Henry Fonda and Harry Morgan) attempt to reason with them. Faithfully adapted from Walter Van Tilburg Clark’s distinguished novel by writer Lamar Trotti and director William Wellman (Beau Geste), Ox-Bow proffers a searing indictment of mob violence, along with a straightforward depiction of frontier life. That virtues of decency and compassion slip into the story is a testament to Fonda and Wellman, whose insistence on making the film during World War II -- when Japanese Americans were being subjected to similar outrages -- speaks well for their commitment and integrity. Socially conscious westerns from this era are rare, and to this day none of them have been as powerful as The Ox-Bow Incident. Ed Hulse, Barnes & Noble
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