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Interview with director Murray Lerner
Full Product DetailsDisc #1 -- Bob Dylan: The Other Side of the Mirror - Live at the Newport Folk Festival 1963-1965
1. Intro/All I Really Want to Do (1965) [2:50]
2. North Country Blues [4:16]
3. With God on Our Side [6:07]
4. Talkin' World War III Blues [4:28]
5. Who Killed Davey Moore? [3:26]
6. Only a Pawn in Their Game [3:55]
7. Blowin' in the Wind [4:04]
1. Mr. Tambourine Man [5:55]
2. Johnny Cash/Joan Baez [1:33]
3. It Ain't Me, Babe [2:17]
4. Joan Baez, Interview [1:01]
5. With God on Our Side [1:24]
6. Chimes of Freedom [9:57]
1. If You Gotta Go, Go Now [2:11]
2. Love Minus Zero/No Limit [3:20]
3. Idolized/Who Needs Him Anymore? [1:19]
4. Rehearsal [1:09]
5. Maggie's Farm [4:58]
6. Like a Rolling Stone [6:32]
7. Mr. Tambourine Man [5:22]
8. It's All Over Now, Baby Blue [5:20]
9. End Credits/Restless Farewell [1:32]
What a difference two years makes! In 1963, Bob Dylan was the Ur-folksinger, rendering his protest songs in an unvarnished voice accompanied by his rudimentary acoustic guitar work. In 1965, “the voice of his generation” went electric, his more surrealistically tinged tunes now flaunting full rock 'n' roll support. The now-classic albums may tell part of the story, but to fully experience the sea change in Dylan’s style and its ramifications among his fans, you have to turn to documentary evidence. And no more dramatic proof can be found than in this revelatory film, which brings together Dylan’s Newport Folk Festival performances under one roof. The 1963 and ‘64 footage demonstrates how riveting the immensely charismatic Dylan could be, commanding a stage and a rapt audience all by himself. Timeless anthems such as "Talkin' World War III Blues,” “Who Killed Davey Moore?,” and “ Only a Pawn in Their Game” retain all their bite, while more poetic songs including “Chimes of Freedom,” “Mr. Tambourine Man,” and “Love Minus Zero/No Limit” still enchant with their freshness and lyricism. Duets with folk queen Joan Baez on “It Ain't Me, Babe” and “With God on Our Side” present a vision of youthful energy and purpose that perfectly exemplifies the spirit of the time. But Dylan’s personal evolution was outpacing his contemporaries. Watching he extraordinary footage from 1965 in which Dylan roars through “Maggie’s Farm” and “Like a Rolling Stone” backed by a rocking, fully plugged-in ensemble, is like witnessing a musical hurricane occurring onstage. He may not have known it at the time, but director Murray Lerner captured the moment when rock 'n' roll finally supplanted the folk movement. The rest is history. Steve Futterman, Barnes & Noble
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