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Video introduction by director Barry Levinson; Featurettes:; When Lightning Strikes: Creating the Natural:; Pre-Game: A novelist steps up to the plate; The line-up: Assembling the moviemaking team; Let's play ball: Filming the show; Clubhouse Conversations; A Natural Gunned Down: The stalking of Eddie Waitkus; Knights in Shining Armor: The mythology of the Natural; Extra Innings; Heart of the Natural
Full Product DetailsDisc #1 -- Natural
1. No Place Like Home [4:28]
2. The Wonder Bat [4:44]
3. Fair Games [4:09]
4. Record Bragging [3:37]
5. New Right Field [4:02]
6. Suiting Up [3:31]
7. Sitting Out [4:02]
8. Came to Play Ball [6:09]
9. Batter Up [4:34]
10. Making Headlines [5:26]
11. Lightning Power [3:26]
12. Hobbs' Streak [5:00]
13. Passing Judgement [4:14]
14. Magic Eye Sees All [6:51]
15. Making Magic [5:05]
16. Bad Luck Broad [1:27]
17. On Home Turf [3:27]
18. Not Kids Anymore [5:05]
19. Old Flames [5:25]
20. Falling into Place [6:21]
21. Losing Wager [3:53]
22. Haunting Injury [5:25]
23. Personal Record [4:36]
24. Living and Learning [6:27]
25. Dirty Deals [5:32]
26. Great Story [4:26]
27. Painful Inning [4:24]
28. Time to Shine [6:04]
Few films about baseball have passed the most important sports-film test. That is, to be as illuminating or enjoyable as watching the sport itself. Barry Levinson's The Natural, a very loose adaptation of Bernard Malamud's novel, passes this test. In fact, The Natural, despite a few nagging flaws, is quite possibly the best film ever made about baseball. Baseball has its own narrative, comprising dramas, tragedies, comedies, and morality plays. Like baseball, The Naturalis an odyssey, beginning when farmboy Roy Hobbs (Robert Redford) fashions himself a homemade bat -- called "Wonderbat" -- that takes him all the way to the big leagues before a scheming Siren (Barbara Hershey) sends him plummeting back to mortal territory. But Hobbs, like any good baseball player, has a chance for redemption late in the game -- and whether or not he makes good on that depends on how you see his story: through Malamud's book or Levinson's film. Cinematographer Caleb Deschanel does beautiful, sun-drenched, slow-motion work here, and even if he and Levinson come closer to elevating baseball to mythic levels than Malamud might have liked, it's hard to argue with the way it works. Ditto for golden-boy slugger Redford: if not quite as complicated as he was in the novel, he still makes an appealing hero. Baseball fans may still be waiting for the perfect baseball film, but The Natural, with several all-star caliber moments, compares favorably with a day in the park. Dave Roth, Barnes & Noble
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