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Closed Caption; Soundtrack remastered in Dolby Digital 5.1; Vintage making-of documentary "The Abbey of Crime: Umberto Eco's The Name of the Rose"; Commentary by director Jean-Jacques Annaud; All-new Photo Video Journey with Jean-Jacques Annaud; Theatrical trailer; Subtitles: English, Français, & Español
Full Product DetailsSide #1 --
1. Credits [2:49]
2. Observations [3:24]
3. Accidental Death [4:26]
4. Something Diabolical [4:28]
5. Abandoned By God? [4:03]
6. Restless Night [2:57]
7. Drowning in Blood [3:38]
8. Salvatore the Penitent [5:22]
9. No Laughter, Few Books [6:29]
10. Hidden Writing [4:51]
11. Interlude With the Girl [6:20]
12. Heart of an Ox [3:16]
13. Taking Possession [2:54]
14. Missing [:32]
15. In Water [2:01]
16. Book That Kills [3:28]
17. Be Mortified [4:54]
18. Secret Library [4:15]
19. Labyrinth [4:26]
20. Bernardo Gui Arrives [3:44]
21. Irrefutable Evidence [4:26]
22. Torments [3:52]
23. Severinus' Final Chapter [3:43]
24. Styles of Pity [4:28]
25. Confessions [3:10]
26. Disputed Verdict [3:34]
27. Black Mark [5:03]
28. Poisonous Custodian [2:57]
29. No Fear, No Faith [4:23]
30. Purging Flames [3:05]
31. All His Doing [3:49]
32. Adso's Decision [1:55]
33. End Credits [5:00]
French director Jean-Jacques Annaud and four screenwriters labored mightily on this 1986 adaptation of Umberto Eco’s international bestseller, a murder mystery that unfolds in an Italian abbey during the dark days of the Inquisition. Their efforts weren’t totally successful; at the time, many critics and moviegoers found the film confusing and occasionally ponderous. But the intervening two decades have been kind to The Name of the Rose, and today it can be appreciated as a genre-bending landmark. Sean Connery delivers one of his most charismatic performances as the English Franciscan monk who arrives with his novice (a nearly unrecognizable Christian Slater) on the eve of a conclave at the abbey. A series of murders occupies Connery while other attendees continue to arrive, but the intellectual rigor he brings to his investigation doesn’t sit well with Inquisitor F. Murray Abraham, who sees Satan as the instigator of the vile crimes. The clashes between Connery and Abraham are wonderful; as is the relationship between the erstwhile Bond and his boyish charge, Slater. The monk is like a medieval Sherlock Holmes, mixing elaborate ratiocination with periodic chiding of his "Watson," and always to delightful effect. The film’s pace, like its setting, is stately; nonetheless, this Rose is a complex whodunit that will engage mystery-loving viewers from the first reel and keep them glued to their chairs for the next two hours. Ed Hulse, Barnes & Noble
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