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Deleted scenes; A moment with Alberto Granado; The making of The Motorcycle Diaries; A moment with Gael García Bernal; "Toma Uno" ("Take One") with Gael García Bernal; Music of the Road: An interview with composer Gustavo Santaolalla
Full Product DetailsSide #1 --
1. "The Mighty One" (Main Titles) [4:09]
2. Time to Go [5:13]
3. I'll Wait for You [8:16]
4. Roadside Diagnosis [6:54]
5. Hard Times [5:58]
6. Big News [5:19]
7. Strong Impressions [6:07]
8. Behind Schedule [6:10]
9. Scrap Metal [5:49]
10. Struggle to Survive [5:24]
11. The Heart of America [7:28]
12. An Honest Opinion [5:50]
13. A Lucky Night [6:09]
14. Breaking the Rules [2:53]
15. Segregated Living [7:22]
16. Salute to a United Nation [8:37]
17. Crossing to the Other Side [5:24]
18. The Journey Continues [5:10]
19. So Long [3:13]
20. End Titles [6:24]
A road movie that’s strikingly different than its brethren, The Motorcycle Diaries chronicles the 8,000-mile trip undertaken in 1952 by two young Argentinian men -- one of whom, Ernesto Guevara de la Serna, became better known as the revolutionary “Che” Guevara. As the movie opens, Ernesto (played by Gael Garcia Bernal) is a somewhat shy, asthmatic medical student who accompanies his jocular friend Alberto (Rodrigo de la Serna) on what they believe will be a grand adventure: a motorcycle journey traversing a good part of South America. Coming from a comfortable if not extravagant background, the two friends are stunned by the poverty and injustice they encounter, and while working to alleviate suffering in a leper colony during a brief stay, their lives are changed forever. Director Walter Salles (Central Station) lets the South American settings and natives do a lot of his work for him: one type of emotional response is elicited by his presentation of spectacular vistas, another by documentary-like glimpses of people who are desperately poor. But Salles never allows his audience to lose faith in human kindness; throughout the film, Ernesto and Alberto are helped by strangers who have no vested interest in their comfort or safety. The humanistic strain running through Motorcycle Diaries is so pronounced, in fact, that it’s easy to forget that the idealistic young medical student was later compromised by his support for repressive, authoritarian regimes. Fortunately, Salles doesn’t have an overtly political agenda, and in the end, his simply but elegantly told tale must be seen as a celebration of the human spirit. Ed Hulse, Barnes & Noble
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