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Closed Caption; Preston Sturges and The Miracle of Morgan's Creek; Censorship: Morgan's Creek vs. the production code
Full Product DetailsDisc #1 -- The Miracle of Morgan's Creek
1. Hold the Presses [3:30]
2. The Prettiest Girl in Town [6:26]
3. Out to the Picture Show [6:06]
4. Kiss the Boys Goodbye [6:55]
5. I Can't Remember [5:12]
6. Mrs. Ratzkiwatzki [4:31]
7. In Terrible Trouble [11:24]
8. What's the Matter With Bigamy? [7:57]
9. Ignatz [5:24]
10. Man and Wife [8:54]
11. Under Arrest [4:55]
12. Jailbreak [7:47]
13. Merry Christmas [7:24]
14. Surprise Packages [11:58]
Of all the comedies made in the 1940s by writer-director Preston Sturges, The Miracle of Morgan's Creek is likely the funniest. It's a rib-tickling romp from the first frame to the last, loaded with this filmmaker's patented blend of dazzling wordplay and dizzying slapstick. Betty Hutton plays a small-town girl who does her patriotic duty by entertaining soldiers about to depart for World War II. After too many drinks and a clunk on the noggin at an all-night party, she wakes up unable to remember anything -- except that she and one of the just-departed G.I.s, swept up in the enthusiasm of the moment, got married under assumed names. Before long she learns that she's pregnant, which further complicates matters. Eddie Bracken plays her rescuer, a longtime admirer stuck in Morgan's Creek during the war because he's 4-F. William Demarest has a showy supporting role as the girl's perpetually apoplectic father, and he takes some bone-crunching pratfalls to punctuate Sturges' gags. The film was rather daring for its day; Hutton's plight, while hardly extraordinary in real-life America at the time, was not exactly the stuff of mainstream Hollywood comedies. (The hoops and rewrites Sturges had to jump through to get the story past the strict Hayes Code censors are documented in one of the DVD's swell bonus featurettes.) But the inspired treatment made Miracle relatively innocuous, and by today's standards it's positively tame -- in regard to subject matter, that is. The humor is Sturges at his zaniest, especially as the story draws nearer its wildly improbable (but somehow fitting) conclusion. Ed Hulse, Barnes & Noble
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