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Closed Caption; Commentary with Michael Radford & Lynn Collins; Behind-the-scenes making-of featurette; Web link to Teacher's Guide (for classroom only)
Full Product DetailsSide #1 --
1. Start [4:56]
2. Antonio & Bassanio [5:16]
3. Portia [4:24]
4. Shylock [3:47]
5. The Bond [6:55]
6. An Infection to Serve [4:48]
7. Before the Feast [5:37]
8. The Caskets [3:32]
9. A Passion So Confused [6:07]
10. The Fool's Head [4:31]
11. ."..Shall We Not Revenge?" [4:13]
12. Loss Upon Loss [4:15]
13. An Ambassador of Love [7:33]
14. Two Proposals [6:26]
15. A Gaping Wound [5:11]
16. A Cur Rages [2:15]
17. A Question of Law [3:20]
18. The Trial [4:33]
19. Dearly Bought [3:19]
20. Mercy [4:42]
21. Judgment [3:05]
22. A Pound of Flesh [3:34]
23. No Drop of Blood [2:24]
24. "I Am Contented." [4:32]
25. Tokens [3:40]
26. Rings... [5:51]
27. ...And Revelations [4:08]
28. Epilogue [8:09]
Of all Shakespeare’s classic plays, The Merchant of Venice has been among the least frequently tackled by filmmakers, who perhaps are uncomfortable with its apparent anti-Semitism and harshness of tone. This adaptation, written and directed by Michael Radford (Il Postino), confronts the play’s less savory aspects head on. As played by Al Pacino, the moneylender Shylock revels in the bargain he has made with the openly contemptuous merchant Antonio: If the loan is not paid back on time, he will extract a pound of flesh from the borrower. Shakespeare succumbed to the temptation to stereotype Shylock, but he also allowed the character to voice his pain and frustration over the way Christians treat their Jewish neighbors. “Hath not a Jew eyes?” begins one of the playwright’s most famous speeches -- and one of the most plaintive pleas for acceptance uttered by a fictional character on behalf of an entire people. Pacino’s trademark intensity serves him well in this part, and Jeremy Irons infuses his Antonio with the vaguely sinister melancholy he has brought to so many roles. The story’s comedic aspect -- centering on the romance of Bassanio (Joseph Fiennes) and Portia (Lynn Collins) -- is handled neatly but pales beside the Shylock-Antonio conflict: the young lovers are entirely unaware that their relationship is bringing pain to others. Filmed in Venice, this Merchant has been beautifully mounted with regard to sets and costumes. It’s one of the most accessible Shakespeare adaptations we’ve seen in many years, and it makes a worthy introduction to one of the Bard’s greatest works. Ed Hulse, Barnes & Noble
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