The Man Who Cried with Christina Ricci: DVD Cover

    The Man Who Cried Director: Sally Potter Cast: Christina Ricci, Cate Blanchett, John Turturro, Johnny Depp

    DVD - Wide Screen / Dolby 5.1 / DTS Learn more

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    • DVD Release Date: 01/02/2002
    • Original Release: 2000
    • Rating: Rated R
    • Sales Rank: 10,444
     
    • Overview
    • Editorial Reviews
    • Scenes
    • Customer Reviews
    • Cast & Crew
    • Full Product Details

    Scenes

    Features

    Trailer

    Full Product Details

    Scene Index

    Side #1 --
    0. Scenes
    1. Main Titles [2:50]
    2. Father and Daughter [5:25]
    3. Leaving Russia [4:31]
    4. New Name, New Country [5:05]
    5. In Paris [7:06]
    6. Dante Dominio [10:57]
    7. Cesar [5:40]
    8. Madame Goldstein [3:17]
    9. The Gypsies [5:21]
    10. War [9:03]
    11. Lola Moves Out [:28]
    12. Making Arrests [3:52]
    13. Occupied France [7:40]
    14. Betrayed [4:09]
    15. Going to America [8:29]
    16. Searching for Father [5:25]
    17. Together at Last [3:24]
    18. End Titles [3:06]

    Scene Index

    Editorial Reviews

    The tumultuous landscapes of Europe between World Wars I and II serve as a backdrop for writer-director Sally Potter's tale, depicting a young Russian Jew who immigrates to England after her village is destroyed in a violent pogrom. Fegele (Christina Ricci), who is assimilated into Gentile culture as Suzie, carries two things with her into the West: an aged photograph of her father, who left Russia long ago for America; and a golden voice that eventually lands her a job with a Parisian opera company. Potter has found an appropriate heroine in Ricci, whose ethereal pallor reflects a life drained of its vitality in Nazi-occupied Europe. The rest of the cast is equally impressive: John Turturro plays the company's tenor, Dante, a petty Fascist who sips champagne with the SS and casually tyrannizes his Russian émigré girlfriend, Lola (Cate Blanchett); Johnny Depp is Cesar, a brooding Gypsy horseman and a counterpoint to Dante, who serves as another compelling representative of Europe’s disenfranchised. And look for Harry Dean Stanton in the somewhat off-kilter but purposeful role of Felix, the opera impresario whose willingness to reclaim his Jewish heritage in the face of annihilation gives Suzie the strength to defy victimization and reclaim her identity. The film’s structure reveals Potter’s interest in elliptical time, which she explored with such success in Orlando. She opens The Man Who Cried in a lyrical flash of the future, depicting an unknown young woman surrounded by fire and drowning in a vast sea. The primary narrative then begins in a desiccated Russian forest stunningly photographed by veteran film artist Sacha Vierny, and the slow, methodical movement of the camera sets a tempo that Potter never accelerates. Although The Man Who Cried never focuses directly on historical events, their weight is felt in the narrative and stamped on the souls of each and every character Virginia McCollam, Barnes & Noble

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    Customer Reviews

    Man Who Criedby Anonymous

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    December 06, 2007: The movie was good, but it could have been so much better if Fegele/Suzie had flashbacks during interludes with other characters or even in nightmares or dreams of her past. The beginning and the end are so separated, not just literally. The film seems like three blocks of story that are terribly stitched together. I think the film would have been much more satisfactory with the father figure interspersed throughout in memory sequences or something.

    Man Who Criedby Anonymous

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    September 05, 2003: Man Who Cried is lushly photographed--the cinematography is beautiful--but it badly needs some serious editing, both to advance the action and to pick up the pace. Although the film begins in Russia, the main action of the plot doesn't start until Fegele/Suzie (Ricci) arrives in Paris. If it were up to me, I would have chopped off the first half of film, opened with Suzie joining the opera company in Paris, and gone from there, bringing out her back story in conversations with other characters. The theme here--that all of us are only one disaster away from becoming refugees--is well done and there are good turns from the entire cast, especially Cate Blanchett as Lola and Johnny Depp as the brooding Cesar. Ricci, although a competent actress, has very little to do here except look pensive and long suffering. This is a film that has a lot of promise, but doesn't live up to its potential.


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