DVD - Wide Screen / Dolby 5.1 / DTS Learn more
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Trailer
Full Product DetailsSide #1 --
0. Scenes
1. Main Titles [2:50]
2. Father and Daughter [5:25]
3. Leaving Russia [4:31]
4. New Name, New Country [5:05]
5. In Paris [7:06]
6. Dante Dominio [10:57]
7. Cesar [5:40]
8. Madame Goldstein [3:17]
9. The Gypsies [5:21]
10. War [9:03]
11. Lola Moves Out [:28]
12. Making Arrests [3:52]
13. Occupied France [7:40]
14. Betrayed [4:09]
15. Going to America [8:29]
16. Searching for Father [5:25]
17. Together at Last [3:24]
18. End Titles [3:06]
The tumultuous landscapes of Europe between World Wars I and II serve as a backdrop for writer-director Sally Potter's tale, depicting a young Russian Jew who immigrates to England after her village is destroyed in a violent pogrom. Fegele (Christina Ricci), who is assimilated into Gentile culture as Suzie, carries two things with her into the West: an aged photograph of her father, who left Russia long ago for America; and a golden voice that eventually lands her a job with a Parisian opera company. Potter has found an appropriate heroine in Ricci, whose ethereal pallor reflects a life drained of its vitality in Nazi-occupied Europe. The rest of the cast is equally impressive: John Turturro plays the company's tenor, Dante, a petty Fascist who sips champagne with the SS and casually tyrannizes his Russian émigré girlfriend, Lola (Cate Blanchett); Johnny Depp is Cesar, a brooding Gypsy horseman and a counterpoint to Dante, who serves as another compelling representative of Europe’s disenfranchised. And look for Harry Dean Stanton in the somewhat off-kilter but purposeful role of Felix, the opera impresario whose willingness to reclaim his Jewish heritage in the face of annihilation gives Suzie the strength to defy victimization and reclaim her identity. The film’s structure reveals Potter’s interest in elliptical time, which she explored with such success in Orlando. She opens The Man Who Cried in a lyrical flash of the future, depicting an unknown young woman surrounded by fire and drowning in a vast sea. The primary narrative then begins in a desiccated Russian forest stunningly photographed by veteran film artist Sacha Vierny, and the slow, methodical movement of the camera sets a tempo that Potter never accelerates. Although The Man Who Cried never focuses directly on historical events, their weight is felt in the narrative and stamped on the souls of each and every character Virginia McCollam, Barnes & Noble
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