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Closed Caption; Acclaimed original exposé "Sex in a Cold Climate"; French-language track; French & Spanish subtitles; Dolby Digital 5.1 Surround Sound; Widescreen (1.85:1) enhanced for 16 x 9 televisions
Full Product DetailsSide #1 --
1. Margaret
2. Bernadette
3. Rose
4. Prayer, Cleanliness and Hard Work
5. The First Night
6. "No Talking"
7. No Home
8. A Holy Telephone
9. Removing Temptation
10. Between Right and Wrong
11. Demeaning Games
12. Falling Ill
13. "I Wanted to Die"
14. A Glimpse of the Outside
15. Keeping a Promise
16. "Not a Man of God"
17. A Liberating Christmas
18. All They Care About
19. "We Have to Go"
20. Epilogue and End Credits
This well-made but harrowing drama offers an unflinching look at modern-day institutionalized cruelty that borders on the barbaric. It tells the true stories of several young Irish women sentenced to indefinite penal servitude in the Magdalene Laundries, which were operated by the Catholic Church's Sisters of Mercy. Writer-director Peter Mullan focuses on three characters, each accused of different "crimes": Margaret (Anne-Marie Duff), raped by a relative at a family gathering; Bernadette (Nora-Jane Noone), a flirtatious orphan; and the unmarried Rose (Dorothy Duffy), who chose to bear her child rather than seek an abortion, only to be condemned anyway. What's particularly fascinating about The Magdalene Sisters is how closely it resembles the old-fashioned "women in prison" movies of yesteryear. There is a relentlessly evil "warden" in sadistic Sister Bridget (Geraldine McEwan), a fellow inmate turned snitch (Mary Murray), and a mentally handicapped, emotionally fragile prisoner (Eileen Walsh) who is ready to crack. In another nod to prison-genre tropes, the girls suffer abuse at the hands of their warders -- including a priest -- and offer sexual favors in exchange for opportunities to escape. But Mullan doesn't employ these familiar situations exploitatively; he does so to highlight the extraordinary nature of this prison held over from the Middle Ages, a tradition jarringly out of place with Western Europe in the 20th century. The film's detractors have condemned it as a "hit" on the Catholic Church, but the validity of Mullan's claims have been borne out recently by million-dollar settlements to victims of the Magdalene institutions (the last of which closed only eight years ago). Given that their operation was such a recent phenomenon, The Magdalene Sisters is far more shocking than it would have been as a story set hundreds of years ago. But it's also an extremely well crafted movie that you won't easily forget. Ed Hulse, Barnes & Noble
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