The Lost Son with Daniel Auteuil: DVD Cover

    The Lost Son Director: Chris Menges Cast: Daniel Auteuil, Nastassja Kinski, Katrin Cartlidge, Ciarán Hinds

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    • DVD Release Date: 05/22/2001
    • Original Release: 1999
    • Rating: Rated R
    • Sales Rank: 47,236

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    • Overview
    • Editorial Reviews
    • Scenes
    • Cast & Crew
    • Full Product Details

    Scenes

    Features

    Widescreen version; 2.0 Dolby Surround Audio; Cast and crew information; Digitally mastered; Scene access; Interactive menus

    Full Product Details

    Scene Index

    Side #1
    0. Scene Index
    1. The Lost Son [4:26]
    2. Big Changes [2:10]
    3. Details of the Case [3:14]
    4. A Lovely Evening [2:03]
    5. Investigation [3:14]
    6. The Austrian? [2:46]
    7. Gathering Clues [2:33]
    8. Contents of the Tape [3:33]
    9. Status Report [2:35]
    10. Nasty Business [3:50]
    11. Catching Up [3:11]
    12. Ask Around [2:23]
    13. An Ad for puppies [3:11]
    14. Trust [2:34]
    15. Excellent Choice [1:37]
    16. Puppy Love [2:31]
    17. "Where Is Friedman?" [4:02]
    18. A Safe Place [5:01]
    19. Grief [3:21]
    20. Be Strong [4:00]
    21. An Investigation of Her Own [1:46]
    22. Continuing the Case [3:43]
    23. Stakeout [2:20]
    24. Puppy Mill [1:27]
    25. The Import/Export Business [3:54]
    26. Help [3:10]
    27. A Question of Money [2:26]
    28. Home [1:50]
    29. Breaking the News [2:46]
    30. Self-Defense [2:23]
    31. Betrayal [2:12]
    32. Memorial Service [4:18]
    33. Soccer Fan [3:17]
    34. End Credits [1:12]

    Scene Index

    Editorial Reviews

    The Lost Son brings together talented British director Chris Menges with a well-known face of French cinema, Daniel Auteuil, who plays a detective in self-exile in London who deals mostly with cases of adultery. At the same time, he is trying to come to terms with the ghosts of his past. While trying to locate the brother-in-law of an old friend who once saved his life, he finds himself in the middle of a network of pedophiles. The director tries to avoid voyeurism or over-simplification in dealing with such a sensitive issue. The tone is not judgmental. One memorable image sums up the thrust of the film: a silent boy urinating on the corpse of one of his torturers. Gönül Dönmez-Colin, All Movie Guide

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