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Disc #1 -- Essential Art House: The Life and Death of Colonel Blimp
1. Prologue, 1942: "War Starts at Midnight" [5:40]
2. "A Date With Mata Hari" [4:41]
3. General Clive Candy [3:55]
4. London, 1902: A Letter From Berlin [9:00]
5. Miss Hunter [3:08]
6. The German Café [5:23]
7. Enter Herr Kaunitz [6:06]
8. "Is This Fight Really Necessary?" [6:37]
9. The Duel [7:44]
10. The Nursing Home [4:33]
11. "Very Much" [6:30]
12. Friends, Yes or No? [7:43]
13. Candy's Bittersweet Return [4:13]
14. Visiting Aunt Margaret [4:17]
15. World War I: At the Front [9:22]
16. A Striking Resemblance [4:02]
17. "Right Is Might After All" [3:28]
18. A Nuptial Announcement [4:41]
19. London, 1919: Home, Sweet Home [3:09]
20. Theo, Prisoner of War [4:21]
21. A Surprise Guest [8:54]
22. "What Will I Do If I Don't Hum?" [2:36]
23. London, 1939: Theo, the Enemy Alien [9:00]
24. "I Never Got Over It" [5:24]
25. One Girl Out of Seven Hundred [2:54]
26. The BBC: "A Little Ill-Timed" [3:38]
27. A Letter From the War Office [7:59]
28. Britain's First Line of Defense [3:32]
29. London, 1942: "War Starts at Midnight" [5:19]
30. Epilogue/End Credits [5:08]
Satirical, tragic, nostalgic, and sentimental in the very best way, The Life and Death of Colonel Blimp is an epic unlike any other. Made by the great British writing-directing-producing team Michael Powell and Emeric Pressburger, it chronicles 40 years in the life of an aristocratic British soldier, Major-General Wynne-Candy (Roger Livesey), as he evolves from a dashing and rebellious young officer into an aging career military man who can’t grasp the nature of modern warfare. Taking Wynne-Candy through the Boer War, World War I, and World War II, Colonel Blimp shows how the chivalry and duels of pre-World War I Europe finally gave way to fascism and bombing raids. Yet it’s less a war picture than a character study and a meditation on the nature of love, friendship, and aging. The character of Wynne-Candy is based on Sir David Low’s famous cartoon character, Colonel Blimp -- a ridiculous and archaic remnant of the vanishing British Empire that became an emblem of what modern England was trying to leave behind. Rather than ridicule him, however, Powell and Pressburger, with their signature humanism, find the man behind the caricature and show him in a sympathetic light. They similarly smash stereotypes by making Wynne-Candy’s greatest friend (Anton Walbrook) a German soldier who abandons his country after the rise of Hitler and gives the film’s most vehement condemnation of nazism. Livesey (a last-minute replacement for Laurence Olivier) gives one of the screen’s most moving and virtuoso performances, while Walbrook and Deborah Kerr, who plays Wynne-Candy’s romantic ideal, are also superb. This Criterion Collection edition restores the frequently butchered Colonel Blimp to its full length and vivid Technicolor beauty. Powell and longtime fan Martin Scorsese provide insightful commentary. Archival materials, such as letters from Winston Churchill and Low’s original cartoons, add much to the experience of watching this masterpiece. Kryssa Schemmerling, Barnes & Noble
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