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New widescreen digital transfer, approved by the filmmakers and enhanced for widescreen televisions; New Dolby Digital 5.1 channel soundtrack by original supervising sound editor Skip Lievsay; Audio commentary by Martin Scorsese, Willem Dafoe, Paul Schrader, and Jay Cocks; Extensive collection of research materials, production stills, and costume designs; Location production footage, shot by Scorsese; Video interview with composer Peter Gabriel, plus a stills gallery of the instruments used in the film; English subtitles; Optimal image quality: RSDL dual-layer edition
Full Product DetailsSide #1 --
1. Logos [:29]
2. The Feeling Begins [6:33]
3. "Condemned to Die" [5:22]
4. Magdalene [5:02]
5. "I Need You to Forgive Me" [5:31]
6. The Master [5:18]
7. Purified [5:09]
8. The Sermon on the Mount [8:39]
9. The Foundation [6:04]
10. John the Baptist [5:34]
11. "Speak to Me in Human Words" [7:52]
12. Return from the Desert [7:34]
13. Casting Out Devils and Working Cures [5:43]
14. Rejected at Nazareth [4:24]
15. Lazarus [4:11]
16. The Saint of Blasphemy [5:32]
17. The Shadow of the Cross [4:45]
18. "King of the Jews" [:02]
19. Waiting for the Sign [3:51]
20. Passover/ The Last Supper [5:56]
21. "Do I Have to Die?" [4:35]
22. Pontius Pilate [5:32]
23. Golgotha [4:29]
24. "Why Have You Forsaken Me?" [6:43]
25. The World of God [4:38]
26. "There's Only One Woman in the World" [8:17]
27. Paul [4:00]
28. Moving On [6:27]
29. "It is Accomplished" [8:29]
30. Credits [2:32]
Willem Dafoe plays Jesus Christ in this extraordinarily controversial adaptation of Nikos Kazantzaki's novel. The film depicts a sometimes reluctant, self-doubting Jesus, gradually coming to accept His divinity and the inexorability of His ultimate fate. The much-maligned sex scene with Mary Magdalene (Barbara Hershey) occurs as an hallucination experienced by Jesus as he suffers on the cross. This particular sequence was what infuriated the film's most rabid critics, but in fact it is just one of many iconoclastic musings to be found in the film and its source novel. Equally volatile are the intimations that, as a carpenter, Jesus indifferently shaped the crucifixes for other condemned prisoners long before his own fate was sealed, and that Judas (Harvey Keitel) was literally manipulated into betrayal by a Christ whose preoccuption with his own destiny compelled him to "use" others. None of these departures from the normal interpretation of the scriptures are offered as any more than theory; as such, it was accepted as food for thought by the more open-minded clerics and Biblical scholars who recommended the film. Hal Erickson, All Movie Guide