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Viewer Rating: (41 ratings)
Detailed Rating: "Performances" See All
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|---|---|
| DVD - 2-Disc Wide Screen | $12.99 |
| DVD - 2-Disc Full Frame | $12.99 |
| Blu-ray - Wide Screen / Subtitled / Dubbed | $23.19 |
Chalk up another complex, finely detailed characterization to Tom Cruise, whose portrayal of a dissolute warrior makes this opulently mounted film one of the very best in his increasingly distinguished oeuvre. Cruise plays Nathan Algren, a Civil War hero whose battlefield excesses have driven him into a permanent state of self-loathing. Cynical and opportunistic, he accepts a lucrative commission to go to Japan and train the emperor's army for a lengthy campaign against once-loyal samurai resentful of their monarch's embrace of Western culture. Algren is forced into a premature clash with these disciplined, highly skilled fighters and is captured when his insufficiently trained men beat a desperate retreat. This is where the story actually begins: We see this able but dissipated man grow to admire his captors and embrace their philosophy, gradually regaining his honor and sense of purpose under the watchful eye of his captor, samurai leader Katsumoto (Ken Watanabe). Algren's moral regeneration isn't accomplished overnight, and director Edward Zwick does a fine job of conveying the character's gradual transformation with pithy vignettes and relatively brief snatches of dialogue. He draws a sharp contrast between the principled, traditionalist samurai and the opportunistic Japanese businessmen who have persuaded the emperor to modernize the country and turn against the warrior brotherhood that has served the throne for hundreds of years. These machinations lead inevitably to a climactic battle that is one of the finer depictions of hand-to-hand encounters in recent memory. In fact, The Last Samurai has several such sequences, but it would be a mistake to label it an action film. Zwick and Cruise have made this remarkable story much more: a paean to honor, courage, and devotion to duty. It's a deeply absorbing and sometimes profoundly moving tale of regeneration and redemption, superbly visualized and brilliantly acted. Ed Hulse, Barnes & Noble
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January 31, 2009: While the film glamorizes and paints the era in a light that is much more respectable than it really was, it protrays the themes and elements that are in the philosophy of the time well. It is the westerns of Japan, a combination of realism and folk myth to create an excellent film. First, Ken Watanabe's performance is surpurb. Now I am not a paticular fan of Tom Cruise, he can never stop being tom cruise in any of his movies, and he is always running. literally. However, this film is fantastic and he redeems himself as an actor. The story arc and character arc in Alegrn is poetic and inspiring. the emotional love story between Algren and Taka is the reminder Hollywood needs that explict sex in not needed to communicate passionate love and adoration and devotion. The film is not usually up there among critics and film-goers but it should be.
This review was written about the Blu-ray Wide Screen / Subtitled / Dubbed edition.
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January 08, 2009: It's one of the most emotional gripping movies I have ever seen. Finally, a movie about honor, respect, determination and loyalty! Many of the scenes are so beautifully shoot and the script is very well done. I am happy that I was able to see this movie in theater and now own in on DVD. I also own the soundtrack which is incredible!! The music is great to calm yourself, relax, help go to sleep, meditate and just make your environment peaceful.
This review was written about the DVD 2-Disc Wide Screen edition.
Chalk up another complex, finely detailed characterization to Tom Cruise, whose portrayal of a dissolute warrior makes this opulently mounted film one of the very best in his increasingly distinguished oeuvre. Cruise plays Nathan Algren, a Civil War hero whose battlefield excesses have driven him into a permanent state of self-loathing. Cynical and opportunistic, he accepts a lucrative commission to go to Japan and train the emperor's army for a lengthy campaign against once-loyal samurai resentful of their monarch's embrace of Western culture. Algren is forced into a premature clash with these disciplined, highly skilled fighters and is captured when his insufficiently trained men beat a desperate retreat. This is where the story actually begins: We see this able but dissipated man grow to admire his captors and embrace their philosophy, gradually regaining his honor and sense of purpose under the watchful eye of his captor, samurai leader Katsumoto (Ken Watanabe). Algren's moral regeneration isn't accomplished overnight, and director Edward Zwick does a fine job of conveying the character's gradual transformation with pithy vignettes and relatively brief snatches of dialogue. He draws a sharp contrast between the principled, traditionalist samurai and the opportunistic Japanese businessmen who have persuaded the emperor to modernize the country and turn against the warrior brotherhood that has served the throne for hundreds of years. These machinations lead inevitably to a climactic battle that is one of the finer depictions of hand-to-hand encounters in recent memory. In fact, The Last Samurai has several such sequences, but it would be a mistake to label it an action film. Zwick and Cruise have made this remarkable story much more: a paean to honor, courage, and devotion to duty. It's a deeply absorbing and sometimes profoundly moving tale of regeneration and redemption, superbly visualized and brilliantly acted. Ed Hulse
Edward Zwick returned to the director's chair for the first time since 1998's The Siege with this sweeping period drama set in 19th-century Japan. After centuries of relying on hired samurai for national defense, the Japanese monarchy has decided to do away with the warriors in favor of a more contemporary military. Tom Cruise stars as Nathan Algren, a veteran of the U.S. Civil War who is hired by the Emperor Meiji to train an army capable of wiping out the samurai. But when Algren is captured by the samurai and taught about their history and way of life, he finds himself conflicted over who he should be fighting alongside. Billy Connelly, Tony Goldwyn, and Ken Watanabe co-star. Matthew Tobey
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