Barnes & Noble

Bernardo Bertolucci's lush telling of the life and times of "Henry" Pu Yi (John Lone), China's last emperor, is an old-fashioned epic in the tradition of LAWRENCE OF ARABIA, a history lesson, and an art-house film rolled into one. The result? A classic movie that garnered eight Oscars, including Best Picture. Told in a series of flashbacks and flash-forwards, the film follows Pu Yi's metamorphosis from pampered royal to free-thinking rebel to everyman citizen of the People's Republic. Standout performances include Peter O'Toole as the Scottish tutor who teaches Pu Yi about the outside world and Joan Chen as the beautiful young woman whom Pu Yi marries. Bertolucci, himself a Communist, wants us to believe in the film's gray, Mao-suited present tense, but the swooning beauty of the flashbacks stands as its own rebuff. Granted access to the Forbidden City (the first Westerners to be so honored), Bertolucci and cinematographer Vittorio Storaro created a visually stunning film, with rich, sensuous images that evoke a vanished world. Rachel Saltz

All Movie Guide

The Last Emperor is the true story of Aisin-Gioro Pu Yi, the last ruler of the Chinese Ching Dynasty. Told in flashback, the film covers the years 1908 to 1967. We first see the three-year-old Pu Yi being installed in the Forbidden City by ruthless, dying dowager Empress Tzu-Hsui (Lisa Lu). Though he'd prefer to lark about like other boys, the infant emperor is cossetted and cajoled into accepting the responsibilities and privileges of his office. In 1912, the young emperor (Tijer Tsou) forced to abdicate when China is declared a republic, is a prisoner in his own palace, "protected" from the outside world. Fascinated by the worldliness of his Scottish tutor (Peter O'Toole), Pu Yi plots an escape from his cocoon by means of marriage. He selects Manchu descendant Wan Jung (Joan Chen), who likewise is anxious to experience the 20th century rather than be locked into the past by tradition. Played as an adult by John Lone, Pu Yi puts into effect several social reforms, and also clears the palace of the corrupt eunuchs who've been shielding him from life. In 1924, an invading warlord expels the denizens of the Forbidden City, allowing Pu Yi to "westernize" himself by embracing popular music and the latest dances as a guest of the Japanese Concession in Tientsin. Six years later, his power all but gone, Pu Yi escapes to Manchuria, where he unwittingly becomes a political pawn for the now-militant Japanese government. Humiliating his faithful wife, Pu Yi falls into bad romantic company, carrying on affairs with a variety of parasitic females. During World War II, the Japanese force Pu Yi to sign a series of documents which endorse their despotic military activities. At war's end, the emperor is taken prisoner by the Russians; while incarcerated, he is forced to fend for himself without servants at his beck and call for the first time. He is finally released in 1959 and displayed publicly as proof of the efficacy of Communist re-education. We last see him in 1967, the year of his death; now employed by the State as a gardener, Pu Yi makes one last visit to the Forbidden City...as a tourist. Bernardo Bertolucci's first film after a six-year self-imposed exile, The Last Emperor was released in two separate versions: the 160-minute theatrical release, and a 4-hour TV miniseries. Lensed on location, the film won nine Academy Awards, including Best Picture and Best Director. Hal Erickson

Product Details

• UPC: 715515034425
• Source: CRITERION
• Region Code: 1
• Presentation: Wide Screen
• Language: English
• Time: 2:45:00
• Sales Rank: 2,183

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