Barnes & Noble

Disorienting and dislocating, 1948's kaleidoscopic noir masterpiece The Lady from Shanghai marked another artistic triumph and commercial failure for master filmmaker Orson Welles. It also chronicled the disintegration of his short-lived marriage to screen siren Rita Hayworth -- playing at times like an abstract commentary on their turbulent private life. Against his better judgment, the surprisingly sophisticated sailor Michael O'Hara (Orson Welles) takes a job on the luxury yacht of alluring Elsa Bannister (Rita Hayworth), landing himself in the middle of murder. The Lady from Shanghai has an all-but-nonsensical plot and a distant, nightmarish quality, generated partly by the tension between the meticulously photographed images shot on location and a soundtrack Welles obviously reconstructed in the studio. Ultimately, it's difficult to know whether to believe anything that happens: Perhaps it was all just a nightmare; some perverse fantasy of masculine paranoia climaxing in the oft-imitated hall of mirrors sequence. However one reads the film, it stands today as one of a privileged handful of Welles' finest efforts. Amy Robinson

All Movie Guide

The Lady From Shanghai, a complex, involving puzzle-within-a-puzzle mystery story, is a showcase for Orson Welles, showing his singular talents and sensibilities as few other films have. The story is superficially simple: a seaman Michael O'Hara (Welles) is hired as a crew member on the yacht of the wealthy Banister (Everett Sloane). His beautiful but mysterious wife Elsa (Rita Hayworth) has met O'Hara earlier, when he saved her from a mugging. What ensues is a complicated and bizarre pattern of deception, fraud and murder, with O'Hara finding himself implicated in a murder, despite his innocence. The film is best remembered for its final sequence when the plot comes to a literally smashing climax in the famous "hall of mirrors" sequence, with Elsa and Banister shooting it out amidst shards of shattering glass. Orson Welles, who produced, directed, wrote and starred in the film, is sometimes self-indulgent in his use of visual tricks and techniques, which at times sacrifice plot for visual brilliance, but he pulls it together in the end to produce a stunning, difficult film. Rita Hayworth gives one of her best performances as the deceptive, seductive temptress, hard-edged and cynical. The film confounds, unsettles and disorients the viewer, very much as Welles intended to do. While not an easy film, it is well worth the attention required to follow it, and Welles offers no easy solutions or any false happy endings to his tour-de-force mystery. Linda Rasmussen

Product Details

• UPC: 043396048591
• Source: SONY PICTURES
• Region Code: 1
• Aspect Ratio: Pre-1954 Standard (1.33.1)
• Presentation: B&W
• Sound: Dolby Digital, monaural
• Language: English, Français, Español, Portugais
• Subtitles: English, Français, Español, Portugais, Korean, Thai
• Time: 1:27:00
• Sales Rank: 6,184

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