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New digital transfer; Audio commentary by noted film scholar Marian Keane; Video introduction by writer-director Peter Bogdanovich; The 1942 broadcast of the Lux Radio Theater adaptation, performed by Barbara Stanwyck and Ray Milland; Edith Head costume designs; Scrapbook of original publicity materials and production stills; Original theatrical trailer; English subtitles ; Optimal image quality: RSDL dual-layer edition
Full Product DetailsSide #1 --
0. Chapters
1. Logos/Titles [1:28]
2. Up The Amazon [1:49]
3. "The ale that won for Yale" [1:38]
4. A Chance Meeting [3:40]
5. "See anything you like?" [3:57]
6. A Game of Cards [5:17]
7. Jean's Ideal [6:05]
8. Muggsy Suspects [2:56]
9. Scotch for Breakfast [2:09]
10. "Snakes and all" [2:39]
11. High Stakes [6:48]
12. A Moonlit Deck [2:04]
13. The Morning After [2:43]
14. "Not nearly as bad" [6:27]
15. Revenge [1:42]
16. Unfinished Business [2:53]
17. Preparations at the Pikes' [3:59]
18. The Lady Eve [2:20]
19. "Never been in South America" [4:09]
20. "The same dame" [4:36]
21. Sidwich Family Secrets [3:10]
22. Pike's Pitch [4:22]
23. The Big Day [2:41]
24. Angus, Herman, Vernon [6:54]
25. Negotiations [3:29]
26. "Positively the same dame" [3:40]
For all his taste, education, and worldliness, legendary writer-director Preston Sturges loved nothing more than a good, old-fashioned pratfall, and in The Lady Eve he mixed raucous slapstick with clever, biting dialogue and urbane situations. The butt of his jokes is Henry Fonda, playing the socially maladroit scion of beer baron Eugene Pallette. While traveling via ocean liner, he's targeted by seductive con artist Barbara Stanwyck -- who, among other things, impersonates a cultured English lady in an attempt to worm her way into his heart...and checkbook. Sturges polished his scripts repeatedly before he began shooting, and his performers deviated from them at the risk of incurring his wrath; but the end product invariably seemed spontaneous, and The Lady Eve is no exception. Fonda and Stanwyck are nothing short of remarkable, and her stateroom seduction of him is a hysterically funny scene that skirted the restrictive Production Code governing movie morality and delighted 1941 moviegoers with its suggestiveness. William Demarest tears through the film as Fonda's blustery, dyspeptic pal, and Charles Coburn, as Stanwyck's equally larcenous father, gets off a goodly share of wry one-liners. For unadulterated zaniness, Sturges can't be beat, and The Lady Eve ranks among this innovative director's very best films. Gregory Baird, Barnes & Noble
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