All Movie Guide

This drama is set during the mid Twenties when gangsters were a bit more genteel than their 1930s counterparts. Based on a true story, it profiles the experiences of a young gangster who, after getting caught during a robbery is given a choice: he can either go to prison or join the military and fight. He chooses the military. There he becomes a hero. But when he returns home, he immediately returns to gangster life. Trouble ensues when he falls for an aristocratic woman with a daughter. Their happiness is interrupted by an old enemy who kidnaps the girl. The protagonist successfully saves the girl and kills his enemy. Sandra Brennan

All Movie Guide

Will Rogers is Dr. Bull, a small-town physician with precious little book learning. This doesn't stop him from ministering to the citizens, often substituting advice and witticisms for pills and sutures. There are those who resist Dr. Bull's everyday doses of common sense and humanity, especially the gossip mongers who read the worst into the doctor's frequent visits to a lonely widow (Vera Lewis). Bull triumphs over his adversaries when he stems a typhoid epidemic, proving that the disease was spread by pollution from the construction camp owned by the town's resident Scrooge (Berton Churchill). Directed by John Ford with his usual compassion towards sensible small-town types, Dr. Bull was adapted from The Last Adam, a novel by James Gould Cozzens. Hal Erickson

All Movie Guide

This saga spans the globe as the three young heroes search for the man who killed their much-admired, beloved father, a cashiered officer who was wrongly dishonorably discharged before he was murdered. Their quest takes them from India to South America, London, Egypt, and the U.S. As the progress, they begin to discover the disturbing truth about the murder of the father they idolized. Sandra Brennan

All Movie Guide

Long though lost, Four Sons reemerged in the 1960s, proving anew that the silent films of director John Ford were every bit as accomplished as his talkies. More "Germanic" in tone and texture than later Ford films, Four Sons is the story of the Bernle family of Bavaria. Mother Bernle (Margaret Mann) dotes upon her four sons Joseph (James Hall), Johann (Charles Morton), Franz (Francis X. Bushman Jr.) and Andres (George Meeker), but is powerless in guiding their destinies. When WW I breaks out, her sons march off to the front: one of the boys fights for the AEF, the others for the Kaiser. The film's most poignant sequence takes place on the battlefield, when one of the sons stumbles upon his mortally wounded brother. Though the dying man's plaintive cries are heard on the Fox Movietone soundtrack, the scene itself is effectively played in pantomime. An updated version of Four Sons, wherein the locale was switched from Bavaria to Czechoslovakia, was filmed in 1940, starring Don Ameche, Alan Curtis, Robert Lowery and George Ernest. Hal Erickson

All Movie Guide

The adaptation of Nobel Prize-winner John Steinbeck's Pulitzer Prize-winning novel of dirt-poor Dust Bowl migrants by 4-time Oscar-winning director John Ford starred Henry Fonda as Tom Joad, who opens the movie returning to his Oklahoma home after serving jail time for manslaughter. En route, Tom meets family friend Casey (John Carradine), a former preacher who warns Tom that dust storms, crop failures, and new agricultural methods have financially decimated the once prosperous Oklahoma farmland. Upon returning to his family farm, Tom is greeted by his mother (Oscar-winner Jane Darwell), who tells him that the family is packing up for the "promised land" of California. Warned that they shouldn't expect a warm welcome in California--they've already seen the caravan of dispirited farmers, heading back home after striking out at finding work--the Joads push on all the same. Their first stop is a wretched migrant camp, full of starving children and surrounded by armed guards. Further down the road, the Joads drive into an idyllic government camp, with clean lodging, indoor plumbing, and a self-governing clientele. When Tom ultimately bids goodbye to his mother, who asks him where he'll go, he delivers the film's most famous speech: "I'll be all around...Wherever there's a fight so hungry people can eat...Whenever there's a cop beating a guy, I'll be there...And when the people are eatin' the stuff they raise and livin' in the houses they build. I'll be there too." Hal Erickson

All Movie Guide

Long believed lost, this fascinating John Ford-directed silent film was rediscovered and restored in the early 1970s. Based on the 1926 novel by Donn Byrne, the film stars Hobart Bosworth as Irish "hanging judge" James O'Brien. Even on his deathbed, O'Brien cannot stop meddling in the affairs of his daughter Connaught (June Collyer), insisting that the girl marry wealthy wastrel John Darcy (Earl Foxe). Alas, Connaught despises Darcy, preferring instead the poor-but-decent Donnaugh McDonnaugh (Larry Kent). Meanwhile, Irish expatriate Hogan (Victor McLaglen) returns to the Auld Sod to avenge his family's honor by killing the caddish Darcy. One of the highlights of Hangman's House is a steeplechase sequence, predating a similar sequence in Ford's The Quiet Man by 25 years. A young, unbilled John Wayne can clearly be spotted in this scene, enthusiastically urging on his favorite horse; reportedly, Wayne also appears as a condemned prisoner in a flashback sequence. Hal Erickson

All Movie Guide

Will Rogers stars as Judge William "Billy" Priest, the common-sense Kentucky jurist created by humorist Irvin S. Cobb. The Judge's easygoing manner bothers many of the self-righteous good citizens of his small 19th-century hometown, imperiling his chances for re-election. The anecdotal plot boils down to a single storyline involving orphaned Anita Louise, reclusive David Landau (secretly Louise's father), and young attorney Tom Brown.The testimony that saves Landau from a murder charge is delivered by Civil War veteran H.B. Walthall, whose stirring loyalty to the Confederacy inspires everyone in town to organize an impromptu parade! Some of the best scenes are highlighted by Will Rogers' affectionate rapport with stereotyped black-actors Stepin Fetchit and Hattie McDaniel, though these scenes are frequently removed from TV showings of Judge Priest due to their undeniably racist overtones. If you haven't guessed by the first frame of the film that John Ford was the director, you'll recognize Ford's personal stamp the moment Will Rogers kneels by his wife's grave and carries on a warm conversation with his long-departed bride. Ford would remake (and improve upon) Judge Priest in 1953 as The Sun Shines Bright, with Charles Winninger as the judge. Hal Erickson

All Movie Guide

One of the greatest movie Westerns, John Ford's My Darling Clementine is hardly the most accurate film version of the Wyatt Earp legend, but it is still one of the most entertaining. Henry Fonda stars as former lawman Wyatt Earp, who, after cleaning up Dodge City, arrives in the outskirts of Tombstone with his brothers Morgan (Ward Bond), Virgil (Tim Holt), and James (Don Garner), planning to sell their cattle and settle down as gentlemen farmers. Yet Wyatt, disgusted by crime and cattle rustling, eventually agrees to take the marshalling job until he can gather enough evidence to bring to justice the scurrilous Clanton clan, headed by smooth-talking but shifty-eyed Old Man Clanton (Walter Brennan). Almost immediately, Wyatt runs afoul of consumptive, self-hating gambling boss Doc Holliday (Victor Mature, in perhaps his best performance). When Doc's erstwhile sweetheart, Clementine (Cathy Downs) comes to town, Earp is immediately smitten. However, Doc himself is now involved with saloon gal Chihauhua (Linda Darnell). The tensions among Wyatt, Doc, Clementine, and Chihauhua wax and wane throughout most of the film, leading to the legendary gunfight at the OK Corral, with Wyatt and Doc fighting side-by-side against the despicable Clantons. Its powerful storyline and full-blooded characterizations aside, My Darling Clementine is most entertaining during those little "humanizing" moments common to Ford's films, notably Wyatt's impromptu "balancing act" while seated on the porch of the Tombstone hotel, and Wyatt's and Clementine's dance on the occasion of the town's church-raising. Based on Stuart N. Lake's novel Wyatt Earp, Frontier Marshall (previously filmed twice by Fox), the screenplay is full of wonderful dialogue, the best of which is the brief, philosophical exchange about women between Earp and Mac the bartender (J. Farrell MacDonald). The movie also features crisp, evocative black-and-white photography by Joseph MacDonald. Producer (Daryl F. Zanuck) was displeased with Ford's original cut and the film went through several re-shoots and re-edits before its general release in November of 1946. Hal Erickson

All Movie Guide

Warner Baxter plays Dr. Samuel Mudd, American history's most famous victim of circumstance. In 1865, Dr. Mudd, a known Confederate sympathizer, sets the broken leg of a mud-caked stranger who stumbles into his home. The injured man turns out to be John Wilkes Booth, and Mudd is accused of conspiring to murder President Lincoln. Sentenced to hang with the genuine conspirators, Mudd finds his sentence commuted to life imprisonment at the very last moment. He is shipped to Shark Island, a brutal penal colony. Subject to the cruelties of a guard (John Carradine) who hates Mudd because of his "complicity" in Lincoln's death, the doctor suffers the torments of the damned, while outside Shark Island his wife (Gloria Stuart) campaigns desperately to get her husband pardoned. During a Yellow Fever breakout on Shark Island, Dr. Mudd performs heroically to save the survivors. For his humanitarian efforts, Mudd is finally released and reunited with his wife. While the script glosses over the fact that Dr. Mudd had never been officially pardoned by the US government (the pardon wouldn't be granted until years after this film was made), Prisoner of Shark Island strives long and hard to exonerate the man for whom the phrase "your name is mud!" was coined. Dr. Samuel Mudd's story was retold in the 1952 feature Hellgate, with Sterling Hayden as a (fictional) doctor, and in the 1980 TV movie The Ordeal of Dr. Mudd, starring Dennis Weaver in the title role. Hal Erickson

All Movie Guide

The first of director John Ford's three films for 1931 was the now-forgotten The Seas Beneath. Essentially a reworking of Ford's 1930 effort Men Without Women, the story concentrates on the WWI submarine crew captained by rough-and-tumble Bob Kingsley (George O'Brien). While trying to coerce a German sub into a winner-take-all battle, Kingsley learns that his sweetheart Anna-Maria Von Stuben (Marion Lessing) is an enemy spy, and that her brother and fiancee are officers on the German vessel. Adding to the intrigue is Mona Maris, a sexy Cabaret singer who likewise moonlights as a spy. The Seas Beneath was largely filmed on location in and around Catalina Island. Hal Erickson

All Movie Guide

Two of America's most distinguished humorists, Oklahoma's Will Rogers and Kentucky's Irvin S. Cobb, costar in Steamboat Round the Bend. Cobb isn't much of an actor, so it is Rogers who carries the comic weight of this fast-paced slice of Americana. Will uncharacteristically sticks to the script for most of the proceedings as the proprietor of a combination travelling waxworks and medicine show. The plot resolution hinges on a climactic steamboat race, in which Rogers' paddlewheeler is fed bit by bit into its own furnace when the fuel supply runs out. Steamboat Round the Bend was released posthumously after Rogers' sudden death, at which point Fox Studios tried unsuccessfully to create a "new" Will Rogers--in the form of his old friend and costar Irvin S. Cobb. Hal Erickson

All Movie Guide

Long thought lost, the silent Three Bad Men is an vital ingredient in the cinematic canon of director John Ford. Often described as a film version of Peter B. Kyne's Three Godfathers (which Ford would direct in 1948), Three Bad Men is actually based on Over the Border, a novel by Herman Whitaker. The plot, which spans several years, is set in motion when three bandits appoint themselves protectors of the heroine, whose settler father is killed early in the proceedings. A subplot involves bandit Tom Santschi's efforts to wreak vengeance on the man who seduced and abandoned his sister. The film was originally supposed to star George O'Brien, Tom Mix and Buck Jones as the title characters, but since the plot required the Three Bad Men to be killed off long before the fadeout, and since all three proposed stars had large and loyal kiddie followings, the roles were recast, with character actors Santschi, Frank Campeau and J. Farrell McDonald. O'Brien was retained, albeit relegated to a less colorful heroic role. Three Bad Men should be seen in its original release form; most commercial prints are chopped up and woefully washed out. Hal Erickson

All Movie Guide

Erskine Caldwell's once-scandalous novel Tobacco Road resulted in an equally steamy stage play by Jack Kirkland, which became one of the longest-running productions in Broadway history. This story of indigence and amorality amongst inbred "poor whites" (based on people Caldwell had known while growing up in Georgia) had to be heavily expurgated for movie consumption, put there was plenty of comedy and colorful characterizations to suit the purposes of director John Ford. Charley Grapewin stars as Jeeter Lester, shiftless patriarch of a large backwoods clan. The Lesters are about to be thrown off their land for nonpayment of rent, but anyone who tries to help them--or to alter their lifestyle--is chased away by the poverty-stricken but intensely proud Jeeter. Tobacco Road succeeded on the basis of its title alone, even though no one expected the film to be anywhere near as earthy as the stage version (it would have been impossible under prevailing censorship to include the play's famous opening scene, in which the family watches intently while a teenage girl masturbates!) Hal Erickson

All Movie Guide

The one-time-only combination of director John Ford and actors Spencer Tracy (in his first film) and Humphrey Bogart (in his second) should be recommendation enough for the offbeat comedy-drama Up the River. Tracy and Warren Hymer play Saint Louis and Dannemora Dan, two hard-boiled but likeable prison convicts. While in stir, the boys befriend another convict named Steve (Bogart), who is in love with woman's-prison inmate Judy (Claire Luce). Eventually, Steve and Judy are released, whereupon they get married and head to a small town where no one knows of their criminal pasts. It isn't long, however, before the couple's future happiness is threatened by dishonest salesman Frosby (Gaylord Pendleton), the no-good rat who framed Judy. Frosby threatens to expose Steve's prison record if the latter refuses to go along with a scheme to defraud his neighbors. Learning of this situation, Saint Louis and Dan escape from jail, foil Frosby's scheme, and return behind bars just in time to play in a prison all-star baseball game! Nonsensical to say the least, Up the River is also a film that's hard to dislike. It was remade by 20th Century-Fox in 1938, with Preston S. Foster and Tony Martin respectively in the Tracy and Bogart roles. Hal Erickson

All Movie Guide

In this lovely John Ford film, Joyce Williams (June Lang) and her young daughter, Priscilla (Shirley Temple), travel to India to live on a British Army base with Joyce's father, Colonel Williams, Aubrey C. Smith). Once there, sweet, young Priscilla manages to win the love and affection of the soldiers and her curmudgeonly grandfather, and she plays an important role in easing a local rebellion. One of the best Shirley Temple movies, Ford allows her to be sweet without being cloying and moves the action at a good pace. A wonderful cast of some of Hollywood's best supporting actors add charm to this film which is appealing to both children and adults. Linda Rasmussen

All Movie Guide

James Cagney signed on to play Captain Flagg in 20th Century Fox's 1952 remake of the 1926 classic What Price Glory after being told that the old property was being converted into a musical. By the time Cagney learned that Fox had no intention of adding songs and dances to the venerable Maxwell Anderson/Laurence Stallings stage piece, it was too late to pull out, so he decided to grin (sometimes) and bear it. Under the direction of John Ford, the potent anti-war message of the original play is blunted, while the drunken rowdiness of Capt. Flagg and his friendly enemy Sergeant Quirt (Dan Dailey) was played for all it was worth and then some. Much of the brawling is over the affections of vivacious barmaid Charmaine, played by Corinne Calvet. Contrasting the rough-hewn hijinks of Flagg, Quirt and their fellow Marines on the fields and in the villages of World War I-era France is the doomed romance between private Robert Wagner and French lass Marisa Pavan. (Why does Wagner get to sing, while Cagney and Dailey do not?) Barry Norton, who played Wagner's role in the original What Price Glory? appears in the remake as a priest. Norton is unbilled, as are such familiar faces as Harry Morgan, Paul Fix, Henry Kulky, and John Ford "regulars" Dan Borzage and Bill Henry. Falling well short of classic status, the Technicolor remake of What Price Glory? is kept alive by the marvelous roughneck rapport between James Cagney and Dan Dailey. Hal Erickson

All Movie Guide

In the tradition of Fox Studios' Oscar-winning Cavalcade, The World Moves On covers over one hundred years in the lives of two Louisiana families: The Girards, of French extraction, and the Warburtons, formerly of Manchester. Forming an alliance by marriage in 1825, the families rapidly corner the cotton business in the South. Years later, three of Girard/Warburton sons split up to head business operations in England, France and Germany: as a result, descendants of the original families find themselves fighting on opposite sides during WW I (this episode is similar to a memorable sequence in the 1928 silent Four Sons, which like World Moves On was directed by John Ford). Surviving the war, Richard (Franchot Tone), the last of the descendants becomes a sharkish Wall Street speculator in the 1920s, ultimately losing his fortune in the Wall Street Crash. Bloody but unbowed, Richard and his wife Mary (Madeleine Carroll) cut their losses and return to their ancestral home, to start all over again. Both The World Moves On and the subsequent Fox production Road to Glory rely to a considerable extent upon stock footage from the grim 1931 French antiwar drama Wooden Crosses. Hal Erickson

All Movie Guide

John Ford's fine direction distinguishes this highly fictionalized account of the early life of Abraham Lincoln. The film shows Lincoln (Henry Fonda) as he rises from a country boy born in a log cabin to a lawyer in Springfield, Illinois defending two young men unjustly accused of murder. The film, produced by Darryl F. Zanuck, received an Academy Award nomination for "Best Original Screenplay" for its screenwriter Lamar Trotti. Henry Fonda perhaps the most American of actors, is at his best playing Lincoln as the quintessential, compassionate American hero. Linda Rasmussen

All Movie Guide

John Ford directed this epic-scale silent western, which was one of his first major successes and was hugely influential on outdoor films that followed. David Brandon (James Gordon) is a surveyor in the Old West who dreams that one day the entire North American continent will be linked by railroads. However, to make this dream a reality, a clear trail must be found through the Rocky Mountains. With his boy Davy (Winston Miller), David sets out to find such a path, but he's ambushed by a tribe of Indians led by a white savage, Peter Jesson (Cyril Chadwick); while the boy manages to escape, David is killed. Years later, the adult Davy Brandon (George O'Brien) still believes in his father's dream of a transcontinental railroad, and legislation signed by President Abraham Lincoln has made it an official mandate. Davy is hired on as a railroad surveyor by Thomas Marsh (Will R. Walling), the father of his childhood sweetheart Miriam (Madge Bellamy). While Davy hopes to win Miriam's heart as he helps to find the trail that led to his father's death years ago, he's disappointed to discover that Miriam is already married -- and shocked to discover her husband is Peter Jesson, now working with the railroad as a civil engineer. As the Union Pacific crew presses on to their historic meeting at Promitory Point, Davy must find a way to earn Miriam's love and uncover Peter's murderous past. Shot on location in Arizona in Ford's beloved Monument Valley, The Iron Horse was a massive production that employed over 6,000 people; two temporary cities were built to accommodate them, with 100 cooks on hand to serve meals. Mark Deming

All Movie Guide

John Ford directed this outdoor adventure set in the American Colonial period. Gilbert and Lana Martin (Henry Fonda and Claudette Colbert) are a young couple trying to make a home in New York State's Mohawk Valley, but repeated attacks by Indians drive them, along with other settlers in the valley, into a nearby fort, where they watch helplessly as the natives lay waste to their farms and cabins. A spinster with a large farm, Sarah McKlennar (Edna May Oliver), comes to their rescue when she hires Gilbert to work as a field hand and gives the Martins a place to stay. The rugged life of the farm and frontier doesn't always sit well with Lana, who was raised in wealthy and comfortable circumstances; in time she develops a thicker skin and learns to love their new life in the Mohawk Valley, especially after giving birth to their first son. Gilbert joins the militia, who must do battle both with the local Indian tribes and the British soldiers who are provoking them to battle. Gilbert returns wounded, and as he recuperates, a healthy crop rises in the fields, but their satisfaction is short lived when the Indians once again hit the warpath. 1939 was a stellar year for John Ford; along with this highly successful adventure tale, which was nominated for three Academy Awards, Ford also released the ground-breaking western Stagecoach. Mark Deming

All Movie Guide

John Ford directed this emotional drama, which was a considerable change of pace from the westerns and war pictures for which he was best known. Hannah Jessop (Henrietta Crosman) fears being abandoned by her son Jim (Norman Foster), and she doesn't approve of his romance with Mary Saunders (Marian Nixon). When Hannah discovers that Jim and Mary plan to wed, she sends her son off to fight in WWI, unaware that Mary is carrying his child. Jim is killed in combat just as Mary is giving birth, and while Hannah is crushed by the loss of her son, she cannot forgive Mary or abide her grandson, Jim, Jr. (Jay Ward). Years later, Hannah is prodded into joining a group of women who lost their sons in the war on a visit to the battlefields of Europe; en route, she meets Mrs. Hatfield (Lucille La Verne), whose warmth and gracious acceptance of her misfortune forces Hannah to take a look at herself and her attitudes. Mark Deming

All Movie Guide

A rare comedy from director John Ford, this story about a WWII soldier trying to gain some respect is based on the published war memoirs of Sy Gomberg. Bill Kluggs (Dan Dailey) is the first man in his small West Virginia town to enlist, and his father Herman (William Demarest) and the locals give him a big sendoff. But Bill returns from boot camp, assigned to be a gunnery instructor at a new air base in his hometown. While other boys go off to war, Kluggs becomes a local laughingstock. When a bomber pilot falls ill, however, Kluggs replaces him on a secret mission. He falls asleep on the plane and bails out over the French countryside. Found by Resistance fighters, Kluggs accompanies them on a dangerous mission to take pictures of a German V-2 base. To get him out of the country, the Resistance fighters then stage a mock wedding between Kluggs and the fetching Yvonne (Corinne Calvet), whom Kluggs hates to leave behind when he flees to London. Returning home after only a few nights away, Kluggs is attacked by his own father, who mistakes him for a spy. The townsfolk suspect that he deserted the service and heap more scorn on him. ~ Michael Betzold, All Movie Guide

All Movie Guide

This picture was a departure, both for star Buck Jones and director John Ford (in those days known as Jack Ford). Instead of a manly Western, the focus here is on simple character study, even if it does end with a flurry of action. Bim (Jones) is the town ne'er-do'well, but he proves to be of some worth when he befriends a scruffy 13-year-old youngster Bill (George Stone), who has been thrown off a freight train. Teacher Mary Bruce (Helen Ferguson) takes note of the affection Bim shows towards the boy and insists that Bill be sent to school. Bim is also an admirer of Mary's, but she already has a sweetheart, the shifty Harvey Cahill (William Buckly). Harvey, the cashier at the express office, has come up short at work, so he asks Mary to loan him the school memorial fund. She does, but the school committee asks for the money before Mary can replace it. To save her Bim gets the money back and makes it look like he took it in the first place. Then Bill is virtually held captive by a couple who believe he is the missing son of a rich family. Bim exposes a gang of robbers and becomes a hero. In addition he finds the real missing boy and his parents give him -- and Bill -- the ten thousand dollar reward. Janiss Garza

All Movie Guide

Spanning 50 years, director John Ford's How Green Was My Valley revolves around the life of the Morgans, a Welsh mining family, as told through the eyes of its youngest child Huw (Roddy McDowall). Over the years, the family struggles to survive through unionization, strikes, and child abuse. As they do so, their hometown and its culture begins to slowly decline. Donald Crisp portrays Gwilym, the patriarch of the Morgan household, who dreams of a better life for young Huw. Based on the novel of the same name by Richard Llewellyn, How Green Was My Valley won five Academy Awards in 1941, including Best Director, Best Supporting Actor (Crisp), Best Art Director, Best Cinematography, and Best Picture (beating Citizen Kane). The book was later adapted into a 1975 BBC miniseries. Matthew Tobey

All Movie Guide

Academy Award-nominated filmmaker Nick Redman details director John Ford's remarkable stint at Twentieth Century Fox in an intimately detailed documentary that pays special attention to the relationship between the famed Grapes of Wrath director and studio head Darryl F. Zanuck. A master of the silent film who would go on to become a true legend of American cinema, Ford was just twenty-six years old when he took the helm for Just Pals (1920). Later, when Fox merged with 20th Century in 1935, Ford went to work with the notoriously strong-willed Zanuck. If there was any filmmaker who could give Zanuck a run for his money it was Ford, and it wasn't long before the director made history by earning back-to-back Oscars. Additional input from Ford biographer Joseph McBride, film historian Rudy Behlmer, and screen legend Peter Fonda (whose father Henry had a long-running professional relationship with the filmmaker) ensure that this is one of the most painstakingly assembled profiles of Ford ever committed to film. Jason Buchanan

Product Details

• UPC: 024543482864
• Source: 20TH CENTURY FOX
• Region Code: 1
• Aspect Ratio: Pre-1954 Standard (1.33.1)
• Presentation: B&W
• Sound: Dolby Digital Mono, Dolby Digital Stereo, Dolby Digital 5.1 Surround
• Language: English, Français, Español
• Subtitles: Español, Français, English
• Time: 39:59:00
• Sales Rank: 22,276

This set contains DVDs which may be available separately:

• The Iron Horse
• My Darling Clementine
• Just Pals
• Four Sons
• Hangman's House
• Three Bad Men
• When Willie Comes Marching Home
• Up the River
• Four Men and a Prayer
• The Seas Beneath
• Judge Priest
• Doctor Bull
• Born Reckless
• Pilgrimage
• Steamboat Round the Bend
• The World Moves on
• Young Mr. Lincoln
• Wee Willie Winkie
• Drums Along the Mohawk
• Tobacco Road
• How Green Was My Valley
• What Price Glory?
• The Grapes of Wrath
• The Prisoner of Shark Island
• Becoming John Ford

Features:

DVD MENU