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Director's commentary; deleted scenes with director's commentary; production notes; filmographies; theatrical trailers; link to official House Of Mirth Website
Full Product DetailsSide #1 --
0. Scene Selections
1. Start [2:55]
2. Lawrence Selden [7:01]
3. Fond of dangerous people [4:45]
4. Ruels of engagement [2:53]
5. An elaborate game [5:01]
6. A great favor [5:49]
7. Bertha's indiscretion [3:31]
8. A tremendous admirer [3:20]
9. Miss Lily Bart as Summer [1:23]
10. "I need your help." [3:46]
11. A night at the opera [4:15]
12. Den of iniguity [4:00]
13. Words with Aunt Julia [3:01]
14. Grace's advice [4:20]
15. Tea with the right woman [1:07]
16. "Leave the yacht." [9:43]
17. A friendly hint [2:25]
18. "Miss Bart remains here." [5:10]
19. Julia's will & desire [1:24]
20. "I was deceived." [6:18]
21. A delicate matter [2:44]
22. The outside of Society [6:58]
23. Terminated [6:54]
24. The folly of her cause [1:49]
25. Tea & sympathy [6:00]
26. Words to live by [10:04]
27. Debt & honor [:46]
28. A great mercy [5:13]
A New York socialite circa 1905 learns hard life lessons in this beautifully austere period piece from British director Terence Davies (The Neon Bible). Based on Edith Wharton's celebrated novel, it stars Gillian Anderson (The X-Files) as Lily Bart, a young, husband-hunting society woman whose unique blend of integrity and naiveté leads to her exile from the world of privilege. Davies charts Bart's spectacularly steep fall from grace with superb restraint, allowing the story to unfold slowly and quietly, with subtly executed scenes that work as set pieces. Insinuation and innuendo propel the story line, which is punctuated by the briefest moments of intense emotion. Anderson plays the lead with a perfect combination of strength and vulnerability, allowing Bart's charm to fray in the face of adversity while keeping her dignity intact. The helpless witness to Bart's seemingly inexorable downward slide is a young lawyer (Eric Stoltz), the only man for whom she harbors genuine affection, but here true love offers little promise of lasting happiness. The House of Mirth is anything but mirthful, yet it's no tearjerker, either. Rather, a permeating sense of hopelessness, unfettered by any overt sentimentality, results in a film that rises above typical period fare into a realm of hushed introspection as it contemplates Bart's fate and the irrelevance of truth in the face of propriety. Gregory Baird, Barnes & Noble
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