DVD - 2 Disc Set - Wide Screen Learn more
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| DVD - Wide Screen | $14.99 |
| UMD for Sony PSP - Wide Screen | $19.99 |
Closed Caption; Widescreen presentation (1.85:1), enhanced for 16 x 9 TVs; Audio commentary with writer/director Wes Craven and producer Peter Locke; "Looking Back on The Hills Have Eyes": An all-new documentary featuring interviews with writer/director Wes Craven, producer Peter Locke, actors Micheal Berryman, Janus Blythe, Robert Houston, Susan Lanier, Dee Wallace, and director of photography Eric Saarinen; "The Directors: The Films of Wes Craven": A career retropective featuring interviews with director Wes Craven, and actors Courteney Cox-Arquette, David Arquette, Adrienne Barbeau, Neve Campbell, Robert Englund, Mitch Pileggi, Bill Pullman, Meryl Streep, Kristy Swanson, and Ray Wise; Alternate ending; Theatrical trailers; TV spots; Behind-the-scenes photos; Posters & advertising art; Original storyboard art; Wes Craven bio; DVD-ROM: Original screenplay and screensavers
Full Product DetailsSide #1 -- Side A
1. Main Titles
2. Fred's Oasis
3. Stranded
4. Easy Pickin's
5. Dead Dog
6. Nightfall
7. Devil Man
8. Alone in the Dark
9. Visit From the Neighbors
10. Bobby's Secret
11. The Massacre
12. Mutant Family Values
13. The Desperate & the Dying
14. Cannibal Feast
15. The Hunters Hunted
16. Return of the Beast
17. Baiting the Trap
18. Pluto Descending
19. Hellfire
20. Blood Brothers
21. End Credits
Like an episode of Married With Children on crack, this early Wes Craven effort serves up a colorful clan of social renegades and pits them against a family of middle-class snivelers. This being a horror film from before the age of pervasive irony, of course, the audience is supposed to identify with the itinerant Carter brood rather than the territorial mutants who relentlessly stalk them through the desert. But half the fun is in watching the wholesome, Winnebago-riding Carters get picked off one by one and whine about it. Horror perennial Dee Wallace, hot off a bit part in The Stepford Wives, is the most recognizable face among the supposed good guys, and she hits every catatonic "dingoes ate my baby" mark that's required of her. Pallid golden boy Robert Houston, however, is the most irritatingly sheltered of the lot. Unfortunately, he never gets what's coming to him. Films as varied as Breakdown and The Hitcher have played up the dangers that face ordinary people when they hit the highway; in terms of production quality and psychological acuity, The Hills Have Eyes falls somewhere below those two films, but its exploitation thrills are more potent by half. Brian J. Dillard All Movie Guide