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Closed Caption; Widescreen presentation (1.85:1) enhanced for 16x9 TVs; Audio commentary with writer/director Wes Craven and producer Peter Locke
Full Product DetailsDisc #1 -- The Hills Have Eyes
1. Main Titles [1:17]
2. Fred's Oasis [7:23]
3. Stranded [4:52]
4. Easy Pickin's [3:53]
5. Dead Dog [5:37]
6. Night Fell [6:47]
7. Devil Man [3:03]
8. Alone in the Dark [7:09]
9. Visit From the Neighbors [7:39]
10. Bobby's Secret [1:42]
11. The Massacre [9:09]
12. Mutant Family Values [4:29]
13. The Desperate & The Dying [3:34]
14. Cannibal Feast [1:52]
15. The Hunters Hunted [5:02]
16. Return of the Beast [3:53]
17. Baiting the Trap [:35]
18. Pluto Descending [1:25]
19. Hellfire [4:12]
20. Blood Brothers [4:38]
21. End Credits [1:20]
Like an episode of Married With Children on crack, this early Wes Craven effort serves up a colorful clan of social renegades and pits them against a family of middle-class snivelers. This being a horror film from before the age of pervasive irony, of course, the audience is supposed to identify with the itinerant Carter brood rather than the territorial mutants who relentlessly stalk them through the desert. But half the fun is in watching the wholesome, Winnebago-riding Carters get picked off one by one and whine about it. Horror perennial Dee Wallace, hot off a bit part in The Stepford Wives, is the most recognizable face among the supposed good guys, and she hits every catatonic "dingoes ate my baby" mark that's required of her. Pallid golden boy Robert Houston, however, is the most irritatingly sheltered of the lot. Unfortunately, he never gets what's coming to him. Films as varied as Breakdown and The Hitcher have played up the dangers that face ordinary people when they hit the highway; in terms of production quality and psychological acuity, The Hills Have Eyes falls somewhere below those two films, but its exploitation thrills are more potent by half. Brian J. Dillard All Movie Guide